The full text of Shakespeare's works side-by-side with a translation into modern English. | |||
Elizabethan English | Modern English | ||
VENUS AND ADONIS | Venus and Adonis | ||
EVEN as the sun with purple-colour'd face | Even as the sun with a purple face | ||
Had ta'en his last leave of the weeping morn, | Had his last vacation from the crying morning, | ||
Rose-cheek'd Adonis tried him to the chase; | Rose-Cheek's Adonis tried to chase; | ||
Hunting he lov'd, but love he laugh'd to scorn; 4 | Hunting he loved, but he loved, he laughed to despise; 4 | ||
Sick-thoughted Venus makes amain unto him, | Sick with Venus makes Amain to him, | ||
And like a bold-fac'd suitor 'gins to woo him. | And like a brave applicant to rewrite him. | ||
Thrice fairer than myself,' thus she began, | Three times fairer than me, so she started | ||
The field's chief flower, sweet above compare, 8 | Compare the main flower of the field, sweetly above, 8 | ||
Stain to all nymphs, more lovely than a man, | Stain on all nymphs, more beautiful than a man, | ||
More white and red than doves or roses are; | Are more white and red than pigeons or roses; | ||
Nature that made thee, with herself at strife, | Nature that made you with yourself in dispute, | ||
Saith that the world hath ending with thy life. 12 | Spaith that the world ends with your life. 12 | ||
Vouchsafe, thou wonder, to alight thy steed, | Birtsafe, you are surprised to replace your horses, | ||
And rein his proud head to the saddle-bow; | And put his proud head back into the saddle width; | ||
If thou wilt deign this favour, for thy meed | If you defeat this favor for your Meed | ||
A thousand honey secrets shalt thou know: 16 | A thousand honey secrets should know: 16 | ||
Here come and sit, where never serpent hisses; | Here come and sit where there are never snakes; | ||
And being set, I'll smother thee with kisses: | And I will suffocate you with kisses: | ||
And yet not cloy thy lips with loath'd satiety, | And yet not with loathed saturations, your lips | ||
But rather famish them amid their plenty, 20 | But you in the middle of your abundance, 20 | ||
Making them red and pale with fresh variety; | They red and pale with fresh change; | ||
Ten kisses short as one, one long as twenty: | Ten kisses short as one, one, up to twenty: | ||
A summer's day will seem an hour but short, | A summer day will appear for an hour, but | ||
Being wasted in such time-beguiling sport.' 24 | Be wasted in such a time sport. '24 | ||
With this she seizeth on his sweating palm, | In doing so, it fulfills its sweating palm | ||
The precedent of pith and livelihood, | The precedent of marks and livelihood, | ||
And, trembling in her passion, calls it balm, | And, trembling in her passion, it calls balm, | ||
Earth's sovereign salve to do a goddess good: 28 | Confidently volley of the earth to make up for a goddess: 28 | ||
Being so enrag'd, desire doth lend her force | Be so agree that the desire gives its strength | ||
Courageously to pluck him from his horse. | Brave to pick him from his horse. | ||
Over one arm the lusty courser's rein | About an arm, the rein of the lustful course | ||
Under her other was the tender boy, 32 | The delicate boy was under her other, 32 | ||
Who blush'd and pouted in a dull disdain, | Who blushed and pouted in a boring contempt, | ||
With leaden appetite, unapt to toy; | With leaden appetite, unapt to toy; | ||
She red and hot as coals of glowing fire | They red and hot like coals with glowing fire | ||
He red for shame, but frosty in desire. 36 | He red for shame, but frosty in the desire. 36 | ||
The studded bridle on a ragged bough | The occupants of zaum | ||
Nimbly she fastens;--O! how quick is love:-- | It attaches herself to a nimble; -o! How fast is love:- | ||
The steed is stalled up, and even now | The horse has stalled and still now | ||
To tie the rider she begins to prove: 40 | In order to bind the driver, it begins to prove: 40 | ||
Backward she push'd him, as she would be thrust, | She pushed him backwards as she would push | ||
And govern'd him in strength, though not in lust. | And rule it in strength, if not in lust. | ||
So soon was she along, as he was down, | So soon she was with him when he was down | ||
Each leaning on their elbows and their hips: 44 | Everyone leans on their elbows and the hips: 44 | ||
Now doth she stroke his cheek, now doth he frown, | Now she caresses herself with the cheek, now he's forehead, frowns, frowns, | ||
And 'gins to chide, but soon she stops his lips; | And to blame gins, but soon she will stop his lips; | ||
And kissing speaks, with lustful language broken, | And kissing speaks, broken with lustful language, | ||
If thou wilt chide, thy lips shall never open.' 48 | If you tad yourself, your lips will never open. '48 | ||
He burns with bashful shame; she with her tears | He burns with shy shame; They with their tears | ||
Doth quench the maiden burning of his cheeks; | The virgin deletes his cheeks; | ||
Then with her windy sighs and golden hairs | Then with their windy sighs and golden hair | ||
To fan and blow them dry again she seeks: 52 | To fan and blow them again, she is looking for: 52 | ||
He saith she is immodest, blames her miss; | He speaks that she is unanimous, accuses her miss; | ||
What follows more she murders with a kiss. | What follows more, murdered them with a kiss. | ||
Even as an empty eagle, sharp by fast, | Also as an empty eagle, sharp by fast, | ||
Tires with her beak on feathers, flesh and bone, 56 | Tires with their beak on springs, meat and bones, 56 | ||
Shaking her wings, devouring all in haste, | Shake your wings, devour everything in a hurry, | ||
Till either gorge be stuff'd or prey be gone; | Until either gorge stuffed or prey disappeared; | ||
Even so she kiss'd his brow, his cheek, his chin, | Nevertheless, she kissed his forehead, his cheek, his chin, | ||
And where she ends she doth anew begin. 60 | And where it ends, it starts again. 60 | ||
Forc'd to content, but never to obey, | Forc'd to content, but never obey, | ||
Panting he lies, and breatheth in her face; | He lies panting and breathes on her face; | ||
She feedeth on the steam, as on a prey, | It feeds on the steam like on a prey, | ||
And calls it heavenly moisture, air of grace; 64 | And calls it heavenly moisture, air of grace; 64 | ||
Wishing her cheeks were gardens full of flowers | I wish her cheeks were full of flowers | ||
So they were dewd with such distilling showers. | So they were dew distillation showers. | ||
Look! how a bird lies tangled in a net, | Looks! How a bird is involved in a network, | ||
So fasten'd in her arms Adonis lies; 68 | So attached to their arms, Adonis lies; 68 | ||
Pure shame and aw'd resistance made him fret, | Pure shame and aw'D resistance let him annoy him, | ||
Which bred more beauty in his angry eyes: | The more beauty breeded in his angry eyes: | ||
Rain added to a river that is rank | Rain added to a river, the rank is | ||
Perforce will force it overflow the bank. 72 | Perforce is overcrowded. 72 | ||
Still she entreats, and prettily entreats, | She still asks and asks pretty. | ||
For to a pretty ear she tunes her tale; | For a pretty ear, she coordinates her story; | ||
Still is he sullen, still he lours and frets, | Nevertheless, he is grumpy, he still ventilates and annoys himself | ||
Twixt crimson shame and anger ashy-pale; 76 | Twixt crimson shame and anger Ashy-Pale; 76 | ||
Being red she loves him best; and being white, | As red, she loves him best; And be white | ||
Her best is better'd with a more delight. | Your best is better with a more precise joy. | ||
Look how he can, she cannot choose but love; | See how he can, you cannot choose, but love; | ||
And by her fair immortal hand she swears, 80 | And her fair immortal hand swears, 80 | ||
From his soft bosom never to remove, | Never remove from its soft breast, | ||
Till he take truce with her contending tears, | Until he takes ceasefire with their competing tears, | ||
Which long have rain'd, making her cheeks all wet; | They rain for a long time and their cheeks all get wet; | ||
And one sweet kiss shall pay this countless debt. | And a sweet kiss will pay this countless guilt. | ||
Upon this promise did he raise his chin 85 | He increased his chin 85 on this promise | ||
Like a dive-dapper peering through a wave, | Like a dive that looks through a wave, | ||
Who, being look'd on, ducks as quickly in; | Anyone who looks like it ducks so quickly; | ||
So offers he to give what she did crave; 88 | So he offers that he gives what she longs; 88 | ||
But when her lips were ready for his pay, | But when her lips were ready for his payment, | ||
He winks, and turns his lips another way. | He winks at and turns his lips differently. | ||
Never did passenger in summer's heat | Never the passenger in the summer heat | ||
More thirst for drink than she for this good turn. 92 | More thirst for drink than you for this good turn. 92 | ||
Her help she sees, but help she cannot get; | She sees her help, but she helps she can't get; | ||
She bathes in water, yet her fire must burn: | She bathes in water, but her fire has to burn: | ||
O! pity,' 'gan she cry, 'flint-hearted boy: | Ö! Pity, "Gan she cries", flint heart boy: | ||
Tis but a kiss I beg; why art thou coy? 96 | But it is a kiss that I please; Why are you chic 96 | ||
I have been woo'd, as I entreat thee now, | I became when I ask you now | ||
Even by the stern and direful god of war, | Even through the strict and bad god of war, | ||
Whose sinewy neck in battle ne'er did bow, | Its sustainable neck in the battle did not worry | ||
Who conquers where he comes in every jar; 100 | Who conquers where he comes in every glass; 100 | ||
Yet hath he been my captive and my slave, | But he caught my caught and my slave was | ||
And begg'd for that which thou unask'd shalt have. | And begged around what you made unclear. | ||
Over my altars hath he hung his lance, | He hung his lance about my altars, | ||
His batter'd shield, his uncontrolled crest, 104 | His stroke sign, his uncontrolled coat of arms, 104 | ||
And for my sake hath learn'd to sport and dance | And for my sake he learned to dance and dance sports | ||
To toy, to wanton, dally, smile, and jest; | To toy, muton, dally, smile and joke; | ||
Scorning his churlish drum and ensign red | Reduces its churian drum and ensign red | ||
Making my arms his field, his tent my bed. 108 | My arm made his field, his tent my bed. 108 | ||
Thus he that overrul'd I oversway'd, | So that I had overwritten it, I surprised it | ||
Leading him prisoner in a red-rose chain: | Leads him in a red rose chain. | ||
Strong-temper'd steel his stronger strength obey'd, | Steel steel obeyed its stronger strength, | ||
Yet was he servile to my coy disdain. 112 | Nevertheless, he was served my shy contempt. 112 | ||
O! be not proud, nor brag not of thy might, | Ö! Don't be proud and don't be with your power, | ||
For mastering her that foil'd the god of fight. | For mastery that thwarted the god of struggle. | ||
Touch but my lips with those falr lips of thine,-- | But touch my lips with these falr lips of yours | ||
Though mine be not so fair, yet are they red,-- 116 | Although mine is not that fair, they are red- 116 | ||
The kiss shall be thine own as well as mine: | The kiss will be both your own and mine: | ||
What seest thou in the ground? hold up thy head: | What kind of sea are you in the ground? Hold your head up: | ||
Look in mine eyeballs, there thy beauty lies; | Look in my eyeballs, give your beauty lies; | ||
Then why not lips on lips, since eyes in eyes? 120 | Then why not your lips on lips, there are eyes in your eyes? 120 | ||
Art thou asham'd to kiss? then wink again, | Do you art to kiss Asham'd? Then wink again, | ||
And I will wink; so shall the day seem night; | And I will wink; So the day should appear; | ||
Love keeps his revels where there are but twain; | Love keeps his celebrations where there is only Twain; | ||
Be bold to play, our sport is not in sight: 124 | Be brave, our sport is not in sight: 124 | ||
These blue-vein'd violets whereon we lean | These blue violets where we lean | ||
Never can blab, nor know not what we mean. | I can never know what we mean. | ||
The tender spring upon thy tempting lip 127 | The delicate source with its tempting lip 127 | ||
Shows thee unripe, yet mayst thou well be tasted: | Show you immature, but you will be tried well: | ||
Make use of time, let not advantage slip; | Use the time, do not let the advantage slip. | ||
Beauty within itself should not be wasted: | Beauty in itself should not be wasted: | ||
Fair flowers that are not gather'd in their prime | Fair flowers that are not gathered in their flowering period | ||
Rot and consume themselves in little time. 132 | Rotten and consume in little time. 132 | ||
Were I hard-favour'd, foul, or wrinkled-old, | I became damn hard again, lazy or crumpled, old, | ||
Ill-nurtur'd, crooked, churlish, harsh in voice, | Ill-Nurtur, Krumant, grumpy, hard with voice, | ||
O'erworn, despised, rheumatic, and cold, | Surprison, despised, rheumatic and cold, | ||
Thick-sighted, barren, lean, and lacking juice, 136 | Thick seam, barren, slim and a lack of juice, 136 | ||
Then mightst thou pause, for then I were not for thee; | Then you could pause, because then I wasn't for you; | ||
But having no defects, why dost abhor me? | But without defects why I detest me? | ||
Thou canst not see one winkle in my brow; 139 | You can't see a Tellock in my forehead; 139 | ||
Mine eyes are grey and bright, and quick in turning; | My eyes are gray and bright and turn quickly; | ||
My beauty as the spring doth yearly grow; | My beauty than spring grows every year; | ||
My flesh is soft and plump, my marrow burning; | My meat is soft and plump, my mark burns; | ||
My smooth moist hand, were it with thy hand felt. | My smooth wet hand was felt with your hand. | ||
Would in thy palm dissolve, or seem to melt. 144 | Would dissolve or melt in your palm. 144 | ||
Bid me discourse, I will enchant thine ear, | Offer me discourse, I'll enchant your ear | ||
Or like a fairy, trip upon the green, | Or like a fairy, excursion to the green, | ||
Or, like a nymph, with long dishevell'd hair, | Or like a nymph with long, shabby hair, | ||
Dance on the sands, and yet no footing seen: 148 | Dance on the sand and yet no foundation seen: 148 | ||
Love is a spirit all compact of fire, | Love is a spirit that is all compact by fire, | ||
Not gross to sink, but light, and will aspire. | Not to sink nasty, but light and will strive. | ||
Witness this primrose bank whereon I lie; 151 | Witness of this primrose bank in which I lie; 151 | ||
These forceless flowers like sturdy trees support me; | These huge flowers such as robust trees support me; | ||
Two strengthless doves will draw me through the sky, | Two weak pigeons will pull me through the sky, | ||
From morn till night, even where I list to sport me: | From Morm to night, even where I list to drive myself: | ||
Is love so light, sweet boy, and may it be | Love is so easy, sweet boy, and may it be | ||
That thou shouldst think it heavy unto thee? 156 | That you should think of it hard for yourself? 156 | ||
Is thine own heart to shine own face affected? | Is your own heart to shine your own face? | ||
Can thy right hand seize love upon thy left? | Can your right hand take love to the left? | ||
Then woo thyself, be of thyself rejected, | Then woo yourself, be rejected by yours, | ||
Steal thine own freedom, and complain on theft. 160 | Steal your own freedom and complain about theft. 160 | ||
Narcissus so himself himself forsook, | Narcissus so he himself, | ||
And died to kiss his shadow in the brook. | And died to kiss his shadow in the stream. | ||
Torches are made to light, jewels to wear, | Torches are made on light, jewels to carry, | ||
Dainties to taste, fresh beauty for the use, 164 | Dainties to taste, fresh beauty for use, 164 | ||
Herbs for their smell, and sappy plants to bear; | To wear herbs for their smell and juicy plants; | ||
Things growing to themselves are growth's abuse: | Things that grow for themselves are abuse of growth: | ||
Seeds spring from seeds, and beauty breedeth beauty; | Sama jumps from seeds, and beauty breeds beauty; | ||
Thou wast begot; to get it is thy duty. 168 | You are conceived; Getting it is your duty. 168 | ||
Upon the earth's increase why shouldst thou feed, | On the increase of the earth, why should they feed, | ||
Unless the earth with thy increase be fed? | Unless the earth is fed with your increase? | ||
By law of nature thou art bound to breed, | According to the law of nature that you have breeded, breeding, | ||
That thine may live when thou thyself art dead; 172 | This can be your life if you are dead yourself; 172 | ||
And so in spite of death thou dost survive, | And so they survive despite death, | ||
In that thy likeness still is left alive.' | In this context, it still remains alive. ' | ||
By this the love-sick queen began to sweat, | This started sweating the love disease queen, | ||
For where they lay the shadow had forsook them, 176 | Because wherever they put, the shadow had anchored them, 176 | ||
And Titan, tired in the mid-day heat | And titanium, tired in the lunch warmth | ||
With burning eye did hotly overlook them, | With a burning eye she overlooked hot, | ||
Wishing Adonis had his team to guide, | I wish Adonis had to lead his team | ||
So he were like him and by Venus' side. 180 | So he was like him and Venus' side. 180 | ||
And now Adonis with a lazy spright, | And now Adonis with a lazy language, | ||
And with a heavy, dark, disliking eye, | And with a heavy, dark, expired eye, | ||
His louring brows o'erwhelming his fair sight, | His Lenen brews exceed his fair sight, | ||
Like misty vapours when they blot the sky, 184 | Like foggy vapors when they separate the sky, 184 | ||
Souring his cheeks, cries, 'Fie! no more of love: | Acidify his cheeks, cries, 'fie! No more love: | ||
The sun doth burn my face; I must remove.' | The sun burns my face; I have to remove. ' | ||
Ay me,' quoth Venus, 'young, and so unkind! | Ay me, 'Quoth Venus', young and so unfriendly! | ||
What bare excuses mak'st thou to be gone! 188 | What mere excuses do, you are gone! 188 | ||
I'll sigh celestial breath, whose gentle wind | I will sigh heavenly breath, whose gentle wind | ||
Shall cool the heat of this descending sun: | Should cool the heat of this descending sun: | ||
I'll make a shadow for thee of my hairs; 191 | I will make a shadow for you out of my hair; 191 | ||
If they burn too, I'll quench them with my tears. | If you burn, I will delete them with my tears. | ||
The sun that shines from heaven shines but warm, | The sun that shines from the sky seems warm, | ||
And lo! I lie between that sun and thee: | And see! I lie between this sun and you: | ||
The heat I have from thence doth little harm, | The heat that I have from there hurt little, | ||
Thine eye darts forth the fire that burneth me; 196 | Your eye shoots the fire that burns me; 196 | ||
And were I not immortal, life were done | And I wasn't immortal, life was done | ||
Between this heavenly and earthly sun. | Between this heavenly and earthly sun. | ||
Art thou obdurate, flinty, hard as steel? | Do you plasted OBDU, flinster, hard as steel? | ||
Nay, more than flint, for stone at rain relenteth: 200 | No, more than flint for stone at Rain Relenteth: 200 | ||
Art thou a woman's son, and canst not feel | Art, you the son of a woman, and can't feel | ||
What 'tis to love? how want of love tormenteth? | What is to be loved? How does love torture themselves? | ||
O! had thy mother borne so hard a mind, 203 | Ö! Had your mother born so hard, 203 | ||
She had not brought forth thee, but died unkind. | She hadn't produced you, but died unfriendly. | ||
What am I that thou shouldst contemn me this? | What am I that you should fight for me? | ||
Or what great danger dwells upon my suit? | Or what great danger gives my suit? | ||
What were thy lips the worse for one poor kiss? | What were your lips worse for a bad kiss? | ||
Speak, fair; but speak fair words, or else be mute: | Speak, fair; But speak beautiful words or be silent: | ||
Give me one kiss, I'll give it thee again, 209 | Give me a kiss, I'll give it to you again, 209 | ||
And one for interest if thou wilt have twain. | And one for interest if you have Twain. | ||
Fie! lifeless picture, cold and senseless stone, | Fie! lifeless picture, cold and senseless stone, | ||
Well-painted idol, image dull and dead, 212 | Well -painted idol, picture boring and dead, 212 | ||
Statue contenting but the eye alone, | Statue content, but the eye alone, | ||
Thing like a man, but of no woman bred: | Thing like a man, but bred without a woman: | ||
Thou art no man, though of a man's complexion, | You are not a person, although the complexion of a man, | ||
For men will kiss even by their own direction.' 216 | Because men will even kiss in their own direction. '216 | ||
This said, impatience chokes her pleading tongue, | That is, impatience suffocates her pleading tongue, | ||
And swelling passion doth provoke a pause; | And swelling passion provokes a break; | ||
Red cheeks and fiery eyes blaze forth her wrong; | Red cheeks and fiery eyes lure them wrong; | ||
Being judge in love, she cannot right her cause: 220 | As a judge in love, she cannot correct her cause: 220 | ||
And now she weeps, and now she fain would speak, | And now she cries and now she would speak | ||
And now her sobs do her intendments break. | And now their sobs are making their intentions. | ||
Sometimes she shakes her head, and then his hand; | Sometimes she shakes her head and then his hand; | ||
Now gazeth she on him, now on the ground; 224 | Now she is giving him on the floor; 224 | ||
Sometimes her arms infold him like a band: | Sometimes her arms publish him like a band: | ||
She would, he will not in her arms be bound; | She would not be bound in her arms; | ||
And when from thence he struggles to be gone, | And when he fights from there to be away | ||
She locks her lily fingers one in one. 228 | She blocks her Lily finger one in one. 228 | ||
Fondling,' she saith, 'since I have hemm'd thee here | Stroke "she says" because I have made you secret here | ||
Within the circuit of this ivory pale, | BLASSE within the circuit of this elf leg, | ||
I'll be a park, and thou shalt be my deer; | I will be a park and you should be my deer; | ||
Feed where thou wilt, on mountain or in dale: 232 | Food where you will be on the mountain or in Dale: 232 | ||
Graze on my lips, and if those hills be dry, | Graze on my lips, and when these hills be dry | ||
Stray lower, where the pleasant fountains lie. | Stray deeper, where the pleasant wells lie. | ||
Within this limit is relief enough, | There is enough relief within this limit | ||
Sweet bottom-grass and high delightful plain, 236 | Sweet floor grass and high wonderful level, 236 | ||
Round rising hillocks, brakes obscure and rough, | Round rising hill, brakes dark and rough, rough, | ||
To shelter thee from tempest and from rain: | To protect yourself from the storm and rain: | ||
Then be my deer, since I am such a park; 239 | Then be my deer because I am such a park; 239 | ||
No dog shall rouse thee, though a thousand bark.' | No dog should wake you up, although a thousand rarke. ' | ||
At this Adonis smiles as in disdain, | On this Adonis smiles as in contempt, | ||
That in each cheek appears a pretty dimple: | A pretty dimple appears in every cheek: | ||
Love made those hollows, if himself were slain, | Love made these troughs when he was killed, | ||
He might be buried in a tomb so simple; 244 | He could be buried in such a simple grave; 244 | ||
Foreknowing well, if there he came to lie, | Progress well when he came to lie, | ||
Why, there Love liv'd, and there he could not die. | Why, love it, and he couldn't die there. | ||
These lovely caves, these round enchanting pits, | These beautiful caves, these round enchanting pits, | ||
Open'd their mouths to swallow Venus' liking. 248 | Open your mouth to swallow Venus' taste. 248 | ||
Being mad before, how doth she now for wits? | How is she doing now? | ||
Struck dead at first, what needs a second striking? | Skiped dead first, what does a second blow need? | ||
Poor queen of love, in thine own law forlorn, | Poor Queen of Love, in her own law - abandoned, | ||
To love a cheek that smiles at thee in scorn! 252 | Love a cheek that smiles at you in contempt! 252 | ||
Now which way shall she turn? what shall she say? | Which way should she turn now? What should she say? | ||
Her words are done, her woes the more increasing; | Her words are done, their problems grow all the more; | ||
The time is spent, her object will away, | The time is spent, your object is gone | ||
And from her twining arms doth urge releasing: 256 | And urge to publish from their twining arms: 256 | ||
Pity,' she cries; 'some favour, some remorse!' | Pity, "She cries;" Some favor, some remorse! " | ||
Away he springs, and hasteth to his horse. | Outside he rises and hurries to his horse. | ||
But lo! from forth a copse that neighbours by, | But see! From Forth a Copies, the neighbors of, | ||
A breeding jennet, lusty, young, and proud, 260 | A breeding Jennet, lustful, young and proud, 260 | ||
Adonis' tramping courier doth espy, | Adonis 'Tramping Courier doth Espy, | ||
And forth she rushes, snorts and neighs aloud: | And her races, snort and a desert: | ||
The strong-neck'd steed, being tied unto a tree, | The strong horse that is bound to a tree, | ||
Breaketh his rein, and to her straight goes he. 264 | Breaketh his reins and he goes to her street. 264 | ||
Imperiously he leaps, he neighs, he bounds, | He jumps better, he behaves, he limits, | ||
And now his woven girths he breaks asunder; | And now he breaks his woven scope that he breaks in the world; | ||
The bearing earth with his hard hoof he wounds, | The warehouse end of earth with its hard hoof, he wounds, | ||
Whose hollow womb resounds like heaven's thunder; | Whose hollow womb like the Himmeldonna crouches; | ||
The iron bit he crusheth 'tween his teeth, 269 | The iron bite he crushes his teeth, 269 | ||
Controlling what he was controlled with. | Control of what he was controlled. | ||
His ears up-prick'd; his braided hanging mane | His ears increased; His braided hammocks | ||
Upon his compass'd crest now stand on end; 272 | The end of his compassive coat of arms is now coming to an end; 272 | ||
His nostrils drink the air, and forth again, | His nostrils drink the air and her again. | ||
As from a furnace, vapours doth he send: | As if from an oven, the vapors send: he sends: | ||
His eye, which scornfully glisters like fire, | His eye, which contemptuously contemptuously contemptuously as fire, like fire, | ||
Shows his hot courage and his high desire. 276 | Shows his hot courage and his high desire. 276 | ||
Sometime he trots, as if he told the steps, | At some point he trots as if he told the steps, | ||
With gentle majesty and modest pride; | With a gentle majesty and modest pride; | ||
Anon he rears upright, curvets and leaps, | Anon he recovers, curves and jumps, jumps, | ||
As who should say, 'Lo! thus my strength is tried; | As who should say: 'Lo! So my strength is tried; | ||
And this I do to captivate the eye 281 | And I do that to captivate the eye 281 | ||
Of the fair breeder that is standing by.' | The fair breeder who is ready. ' | ||
What recketh he his rider's angry stir, | What does he think, the angry turmoil of his driver, | ||
His flattering 'Holla', or his 'Stand, I say'? 284 | His flattering "Holla" or his "stand, I say"? 284 | ||
What cares he now for curb or pricking spur? | What does he care about curb or spiked spur now? | ||
For rich caparisons or trapping gay? | For rich caparisons or catching homosexuals? | ||
He sees his love, and nothing else he sees, | He sees his love and nothing else he sees | ||
Nor nothing else with his proud sight agrees. 288 | Nothing else with his proud sight is right. 288 | ||
Look, when a painter would surpass the life, | Look if a painter would exceed life, | ||
In limning out a well-proportion'd steed, | To remove a good proportional horse, | ||
His art with nature's workmanship at strife, | His art with the processing of nature in dispute, | ||
As if the dead the living should exceed; 292 | As if the dead should exceed the living; 292 | ||
So did this horse excel a common one, | This horse also produced a common one | ||
In shape, in courage, colour, pace and bone. | In shape, in courage, color, speed and bones. | ||
Round-hoof'd, short-jointed, fetlocks shag and long, | Rundhoof'd, short joint, fetlocks shag and long, long, | ||
Broad breast, full eye, small head, and nostril wide, | Wide chest, full eye, small head and nostril wide, | ||
High crest, short ears, straight legs and passing strong, | Cummet, short ears, straight legs and passing, strong, strong, | ||
Thin mane, thick tail, broad buttock, tender hide: | Thin mane, thick tail, wide buttocks, delicate fur: | ||
Look, what a horse should have he did not lack, | See what a horse should, it is not missing | ||
Save a proud rider on so proud a back. 300 | Save a proud driver on such a proud back. 300 | ||
Sometimes he scuds far off, and there he stares; | Sometimes he walks far away and stares there; | ||
Anon he starts at stirring of a feather; | Anon begins with stirring a feather; | ||
To bid the wind a base he now prepares, | To offer the wind a base that it is now preparing, | ||
And whe'r he run or fly they know not whether; 304 | And wherever it runs or flies, you don't know if; 304 | ||
For through his mane and tail the high wind sings, | Because through his mane and tail the strong wind sings, | ||
Fanning the hairs, who wave like feather'd wings. | Insect the hair that waves like spring wings. | ||
He looks upon his love, and neighs unto her; | He looks at his love and behaves to her; | ||
She answers him as if she knew his mind; 308 | She answers him as if she knew his spirit; 308 | ||
Being proud, as females are, to see him woo her, | Be proud of how women are, to see him about seeing | ||
She puts on outward strangeness, seems unkind, | It sets strange to the outside, seems unfriendly, | ||
Spurns at his love and scorns the heat he feels, | Smeared his love and despise the heat he feels | ||
Beating his kind embracements with her heels. 312 | To beat his friendly hugs with their heels. 312 | ||
Then, like a melancholy malcontent, | Then, like a melancholic painting content, | ||
He vails his tail, that, like a falling plume, | He narrowed his cock, which, like a falling cloud, | ||
Cool shadow to his melting buttock lent: | Cool shadows borrowed from his melting buttocks: | ||
He stamps, and bites the poor flies in his fume. 316 | He stamps and bites his poor flies into his smoke. 316 | ||
His love, perceiving how he is enrag'd, | His love, perceived as he is committed, | ||
Grew kinder, and his fury was assuag'd. | Grew more friendlier and his anger was assuited. | ||
His testy master goeth about to take him; | His testicle master who takes him; | ||
When lo! the unback'd breeder, full of fear, 320 | If Lo! The Unback'd breeder full of fear, 320 | ||
Jealous of catching, swiftly doth forsake him, | Jealous of catching, giving up quickly, leaving him, | ||
With her the horse, and left Adonis there: | With her the horse and left Adonis there: | ||
As they were mad, unto the wood they hie them, | When they were crazy for the wood, they have them, they, | ||
Outstripping crows that strive to overfly them. 324 | Crows overflowing that strive to fly over. 324 | ||
All swoln with chafing, down Adonis sits, | All swolns with shyers, down adonis, sits, | ||
Banning his boisterous and unruly beast: | Probable its exuberant and unruly animal: | ||
And now the happy season once more fits, | And now the happy season fits again, | ||
That love-sick Love by pleading may be blest; 328 | This love disease by the plea can be blessed; 328 | ||
For lovers say, the heart hath treble wrong | For lovers, say the heart wrong | ||
When it is barr'd the aidance of the tongue. | When it is the tongue aids. | ||
An oven that is stopp'd, or river stay'd, | An oven that is stopped or river remains, | ||
Burneth more hotly, swelleth with more rage: 332 | Burneth stronger, hits with more anger: 332 | ||
So of concealed sorrow may be said; | So hidden grief can be said; | ||
Free vent of words love's fire doth assuage; | Free words -fire's fire have on the way; | ||
But when the heart's attorney once is mute | But when the lawyer of the heart is silent | ||
The client breaks, as desperate in his suit. 336 | The customer breaks so desperately in his suit. 336 | ||
He sees her coming, and begins to glow,-- | He sees her coming and begins to shine-- | ||
Even as a dying coal revives with wind,-- | Also as the dying coal is revived with wind,- | ||
And with his bonnet hides his angry brow; | And with his bonnet hides his angry forehead; | ||
Looks on the dull earth with disturbed mind, 340 | Looks at the blunt earth with a disturbed spirit, 340 | ||
Taking no notice that she is so nigh, | Don't be so close that it is so close | ||
For all askance he holds her in his eye. | With all the sheep, he keeps her in his eye. | ||
O! what a sight it was, wistly to view | Ö! What a sight it was to see wistfully | ||
How she came stealing to the wayward boy; 344 | As she steals into a young boy; 344 | ||
To note the fighting conflict of her hue, | In order to consider the combat conflict of their color, | ||
How white and red each other did destroy: | How white and red has destroyed each other: | ||
But now her cheek was pale, and by and by | But now her cheek was pale, and gradually | ||
It flash'd forth fire, as lightning from the sky. 348 | The fire flashed as a flash of heaven. 348 | ||
Now was she just before him as he sat, | Now she was just before him when he was sitting | ||
And like a lowly lover down she kneels; | And like a low lover, she kneels; | ||
With one fair hand she heaveth up his hat, | With a fair hand she helps his hat | ||
Her other tender hand his fair cheek feels: 352 | Your other delicate hand, his beautiful cheek feels: 352 | ||
His tenderer cheek receives her soft hand's print, | His bidding cheek receives the pressure of her soft hand, | ||
As apt as new-fall'n snow takes any dint. | As disadvantageous as New-Fall'n Snow takes every dint. | ||
O! what a war of looks was then between them; | Ö! What kind of appearance was between them; | ||
Her eyes petitioners to his eyes suing; 356 | Her eyes complain to his eyes; 356 | ||
His eyes saw her eyes as they had not seen them; | His eyes saw her eyes like she hadn't seen her; | ||
Her eyes woo'd still, his eyes disdain'd the wooing: | Her eyes were still waving, his eyes despised the advertising: | ||
And all this dumb play had his acts made plain | And all of this stupid piece made his actions clear | ||
With tears, which, chorus-like, her eyes did rain. | With tears that, like a chorus. | ||
Full gently now she takes him by the hand, 361 | She takes him at hand, 361 | ||
A lily prison'd in a gaol of snow, | A lily prison in a snow snow, | ||
Or ivory in an alabaster band; | Or ivory in an alabaster band; | ||
So white a friend engirts so white a foe: 364 | So a friend spread so white an enemy: 364 | ||
This beauteous combat, wilful and unwilling, | This beautiful fight, deliberate and unwilling, | ||
Show'd like two silver doves that sit a-billing. | Show like two silver pigeons sitting A-billing. | ||
Once more the engine of her thoughts began: | The engine of her thoughts began again: | ||
O fairest mover on this mortal round, 368 | O Fairest Mover on this mortal round, 368 | ||
Would thou wert as I am, and I a man, | Would you like me like me and me a man | ||
My heart all whole as thine, thy heart my wound; | My heart completely like yours, your heart my wound; | ||
For one sweet look thy help I would assure thee, | I would assure you for a sweet look | ||
Though nothing but my body's bane would cure thee.' | Although nothing but my body's bane would heal you. ' | ||
Give me my hand,' saith he, 'why dost thou feel it?' | Give me my hand, 'he says,' why do you feel it? ' | ||
Give me my heart,' saith she, 'and thou shalt have it; | Give me my heart, "she says" and you should have it; | ||
O! give it me, lest thy hard heart do steel it, | Ö! Give me it so that your hard heart steel, it is to steel it, | ||
And being steel'd, soft sighs can never grave it: 376 | And if you are steel, soft sigh can never roam it: 376 | ||
Then love's deep groans I never shall regard, | Then I will never take into account the deep moaning of love, | ||
Because Adonis' heart hath made mine hard.' | Because Adonis 'heart made mine difficult.' | ||
For shame,' he cries, 'let go, and let me go; | For the shame »he screams, let go and let me go; | ||
My day's delight is past, my horse is gone, 380 | The joy of my day is over, my horse is gone, 380 | ||
And 'tis your fault I am bereft him so: | And it's your fault, I am calculated: | ||
I pray you hence, and leave me here alone: | I pray you and let myself be in peace here: | ||
For all my mind, my thought, my busy care, | For all my mind, my thought, my busy care, | ||
Is how to get my palfrey from the mare.' 384 | Is how I get my Palfrey from the mare. '384 | ||
Thus she replies: 'Thy palfrey, as he should, | So she replies: "Your Palfrey, as he should, | ||
Welcomes the warm approach of sweet desire: | Welcomes the warm approach of the sweet desire: | ||
Affection is a coal that must be cool'd; | Affection is a coal that must be cool; | ||
Else, suffer'd, it will set the heart on fire: 388 | Otherwise it will suffer, the heart will set fire: 388 | ||
The sea hath bounds, but deep desire hath none; | The sea has borders, but a deep desire has none; | ||
Therefore no marvel though thy horse be gone. | So it's no wonder even though your horse is gone. | ||
How like a Jade he stood, tied to the tree, | Like a jade he stood that was bound to the tree, | ||
Servilely master'd with a leathern rein! 392 | Servilely Master'd with a longer rein! 392 | ||
But when he saw his love, his youth's fair fee, | But when he saw his love, the fair fee of his youth, | ||
He held such petty bondage in disdain; | He kept such a small bondage into contempt; | ||
Throwing the base thong from his bending crest, | Throw | ||
Enfranchising his mouth, his back, his breast. 396 | Grabs his mouth, his back, his chest. 396 | ||
Who sees his true-love in her naked bed, | Who sees his true love in her naked bed, | ||
Teaching the sheets a whiter hue than white, | The leaves teach a white shade as white, | ||
But, when his glutton eye so full hath fed, | But when his nave was so fully fed, he fed | ||
His other agents aim at like delight? 400 | His other agents aim at a joy? 400 | ||
Who is so faint, that dare not be so bold | Who is so weak, that doesn't dare to do so brave | ||
To touch the fire, the weather being cold? | To touch the fire, is the weather cold? | ||
Let me excuse thy courser, gentle boy; | Let me excuse your courser, gentle boy; | ||
And learn of him, I heartily beseech thee, 404 | And learn from him, I give you from the heart, 404 | ||
To take advantage on presented joy | To be used for presented joy | ||
Though I were dumb, yet his proceedings teach thee. | Although I was stupid, his process taught you. | ||
O learn to love, the lesson is but plain, | O Learning to love, the lesson is only clear | ||
And once made perfect, never lost again. 408 | And once made perfectly, never lost again. 408 | ||
I know not love,' quoth he, 'nor will not know it, | I don't know that I don't love 'Quoth', and I won't know either. | ||
Unless it be a boar, and then I chase it; | Unless it is a boar, and then I hunt it; | ||
Tis much to borrow, and I will not owe it; | It is much to be borrowed and I won't owe it; | ||
My love to love is love but to disgrace it; 412 | My love for love is love, but to shake it; 412 | ||
For I have heard it is a life in death, | Because I heard that it is a life in death | ||
That laughs and weeps, and all but with a breath. | That laughs and cries and anything but with one breath. | ||
Who wears a garment shapeless and unfinish'd? | Who wears a clothingless and incomplete piece of clothing? | ||
Who plucks the bud before one leaf put forth? 416 | Who picks the bud in front of a sheet? 416 | ||
If springing things be any jot diminish'd, | If things are a fool, decreases | ||
They wither in their prime, prove nothing worth; | They consume nothing in their heyday and prove anything; | ||
The colt that's back'd and burden'd being young | The stallion | ||
Loseth his pride, and never waxeth strong. 420 | Loseth his pride and never grows strongly. 420 | ||
You hurt my hand with wringing. Let us part, | You injured my hand with wringing. Let us separate | ||
And leave this idle theme, this bootless chat: | And leave this idle topic, this bootless chat: | ||
Remove your siege from my unyielding heart; | Remove your siege from my relentless heart. | ||
To love's alarms it will not ope the gate: 424 | It will not set the gate to the alarms of love: 424 | ||
Dismiss your vows, your feigned tears, your flattery; | Disassemble your vows, your fake tears, your flattery; | ||
For where a heart is hard they make no battery.' | Because where a heart is hard, they don't make a battery. ' | ||
What! canst thou talk?' quoth she, 'hast thou a tongue? | What! Can you talk? 'Quoth you have a tongue? | ||
O! would thou hadst not, or I had no hearing; 428 | Ö! Wouldn't you have had, otherwise I had no hearing; 428 | ||
Thy mermaid's voice hath done me double wrong; | Your mermaid's voice made me twice wrong; | ||
I had my load before, now press'd with bearing: | I've had my load before, now press with warehouse: | ||
Melodious discord, heavenly tune, harsh-sounding, | Melodious discord, heavenly melody, hard -sounding, | ||
Ear's deep-sweet music, and heart's deep-sore wounding. | The deep -sweet music of the ear and the deep -quending wounds of the heart. | ||
Had I no eyes but ears, my ears would love 433 | If I had no eyes out of the ears, my ears would love it 433 | ||
That inward beauty and invisible; | This inner beauty and invisible; | ||
Or were I deaf, thy outward parts would move | Or would I be deaf, your outer parts would move | ||
Each part in me that were but sensible: 436 | Every part in me, which was reasonable: 436 | ||
Though neither eyes nor ears, to hear nor see, | Although neither eyes nor ears to hear or see | ||
Yet should I be in love by touching thee. | But I should be in love by touching you. | ||
Say, that the sense of feeling were bereft me, | Say that the feeling of feeling was cleaned up to me, | ||
And that I could not see, nor hear, nor touch, 440 | And that I couldn't see or hear, or touch, 440 | ||
And nothing but the very smell were left me, | And nothing but the smell was left to me | ||
Yet would my love to thee be still as much; | But my love for you would still be the same; | ||
For from the stillitory of thy face excelling | Because from the standstill of your face is characterized | ||
Comes breath perfum'd that breedeth love by smelling. | Comes breath perfume that brews love by smelling. | ||
But O! what banquet wert thou to the taste, 445 | But O! What a banquet you have a taste, 445 | ||
Being nurse and feeder of the other four; | Be the nurse and feeder of the other four; | ||
Would they not wish the feast might ever last, | Wouldn't you want the festival could ever take | ||
And bid Suspicion double-lock the door, | And suspect the door twice, | ||
Lest Jealousy, that sour unwelcome guest, | So that jealousy, this acidic undesirable guest, | ||
Should, by his stealing in, disturb the feast?' 448 | Should the festival disturb the festival through his theft? '448 | ||
Once more the ruby-colour'd portal open'd, | Open the rub -colored portal again, | ||
Which to his speech did honey passage yield, 452 | What showed the honey passage for his speech, 452 | ||
Like a red morn, that ever yet betoken'd | Like a red morning that is still cheated | ||
Wrack to the seaman, tempest to the field, | To the sailor, storm on the field, | ||
Sorrow to shepherds, woe unto the birds, | Grief to shepherds, hurt to the birds, | ||
Gusts and foul flaws to herdmen and to herds. 456 | Gusts and bad deficiencies to herd men and herds. 456 | ||
This ill presage advisedly she marketh: | This sick prerequisite that rated, Marketh: | ||
Even as the wind is hush'd before it raineth, | Even if the wind is silent before it rains | ||
Or as the wolf doth grin before he barketh, | Or like the wolf grin before he barks, | ||
Or as the berry breaks before it staineth, 460 | Or how the berry breaks before it turns, 460 | ||
Or like the deadly bullet of a gun, | Or like the fatal ball of a weapon, | ||
His meaning struck her ere his words begun. | She hit its meaning before his words began. | ||
And at his look she flatly falleth down | And on his look she falls down circular | ||
For looks kill love, and love by looks reviveth; 464 | For look kill love and love through appearance reviveth; 464 | ||
A smile recures the wounding of a frown; | A smile repeats the wounding of a frown; | ||
But blessed bankrupt, that by love so thriveth! | But blessed bankrupt, through love so thriveth! | ||
The silly boy, believing she is dead | The stupid boy who believes that she is dead | ||
Claps her pale cheek, till clapping makes it red; 468 | Slaps her pale cheek until the clap makes it red; 468 | ||
And all amaz'd brake off his late intent, | And all Amazs would brake from its late intentions, | ||
For sharply he did think to reprehend her, | Because he thought sharply to understand her again, | ||
Which cunning love did wittily prevent: | Which clever love prevented funny: | ||
Fair fall the wit that can so well defend her! 472 | Fair case the joke that can defend it so well! 472 | ||
For on the grass she lies as she were slain | Because she lies on the grass when she was killed | ||
Till his breath breatheth life in her again. | Life in her again until his Attachtmatser. | ||
He wrings her nose, he strikes her on the cheeks, | He struggles his nose, he hits her cheeks | ||
He bends her fingers, holds her pulses hard, 476 | He turns his fingers, keeps her impulses hard, 476 | ||
He chafes her lips; a thousand ways he seeks | He looks her lips; A thousand options as he is looking for | ||
To mend the hurt that his unkindness marr'd: | To repair the injuries that his unfriendliness made: | ||
He kisses her; and she, by her good will, | He kisses her; And she, through their good will, | ||
Will never rise, so he will kiss her still. 480 | Will never rise, so he will still kiss her. 480 | ||
The night of sorrow now is turn'd to day: | The night of grief will now turn until the day: | ||
Her two blue windows faintly she up-heaveth, | Your two blue windows, which lifts weakly, lifts, | ||
Like the fair sun, when in his fresh array | Like the beautiful sun when in its fresh array | ||
He cheers the morn, and all the world relieveth: 484 | He cheers the morning and the whole world relies: 484 | ||
And as the bright sun glorifies the sky, | And how the bright sun glorifies the sky, | ||
So is her face illumin'd with her eye; | So her face is illuminated with her eye; | ||
Whose beams upon his hairless face are fix'd, | Whose bars are attached to his hairless face, | ||
As if from thence they borrow'd all their shine. 488 | As if they all borrowed their shine from there. 488 | ||
Were never four such lamps together mix'd, | Were never four such lamps together, mixed, | ||
Had not his clouded with his brow's repine; | Had didn't cloud his forehead with the repine; | ||
But hers, which through the crystal tears gave light | But theirs who gave light through the crystal cracks | ||
Shone like the moon in water seen by night. 492 | Like the moon in the water that was seen at night. 492 | ||
O! where am I?' quoth she, 'in earth or heaven, | Ö! where am I?' Quoth you, 'in the earth or in heaven, | ||
Or in the ocean drench'd, or in the fire? | Or soaked in the ocean or in the fire? | ||
What hour is this? or morn or weary even? | What hour is that? or even captivates or even tired? | ||
Do I delight to die, or life desire? 496 | Do I enjoy dying or desiring life? 496 | ||
But now I liv'd, and life was death's annoy; | But now I lived and life was the death of death; | ||
But now I died, and death was lively joy. | But now I died and death was lively joy. | ||
O! thou didst kill me; kill me once again: | Ö! You have killed me; Kill me again: | ||
Thy eyes' shrewd tutor, that hard heart of thine, 500 | The clever tutor of her eyes, this hard heart of yours, 500 | ||
Hath taught them scornful tricks, and such disdain, | Has taught them contemptuous tricks and such contempt, | ||
That they have murder'd this poor heart of mine; | That they murdered this poor heart from me; | ||
And these mine eyes, true leaders to their queen, | And these mines, true guide of her queen, | ||
But for thy piteous lips no more had seen. 504 | But no longer saw for your pitiful lips. 504 | ||
Long may they kiss each other for this cure! | You may kiss for this healing for a long time! | ||
O! never let their crimson liveries wear; | Ö! Never let your purple paints wear; | ||
And as they last, their verdure still endure, | And the last time you have, your ortal still remains | ||
To drive infection from the dangerous year: 508 | Tax infections from the dangerous year: 508 | ||
That the star-gazers, having writ on death, | That the star gazers that were written about death, | ||
May say, the plague is banish'd by thy breath. | May the plague be banished by your breath. | ||
Pure lips, sweet seals in my soft lips imprinted, | Pure lips, sweet seals shaped in my soft lips, | ||
What bargains may I make, still to be sealing? 512 | Which bargains can I seal? 512 | ||
To sell myself I can be well contented, | To sell myself, I can be well satisfied | ||
So thou wilt buy and pay and use good dealing; | So you will buy and pay and use well the other way around; | ||
Which purchase if thou make, for fear of slips | Which purchase, if you do, for fear of slipping | ||
Set thy seal-manual on my wax-red lips. 516 | Place your SEAL manual on my wax-red lips. 516 | ||
A thousand kisses buys my heart from me; | My heart buys a thousand kisses; | ||
And pay them at thy leisure, one by one. | And pay them one after the other in their free time. | ||
What is ten hundred touches unto thee? | What is ten hundred touches for you? | ||
Are they not quickly told and quickly gone? 520 | Are you not told quickly and went quickly? 520 | ||
Say, for non-payment that the debt should double, | Say, for the non -payment that the debts should double, | ||
Is twenty hundred kisses such a trouble?' | Is twenty hundred kisses such a problem? ' | ||
Fair queen,' quoth he, 'if any love you owe me, | Fair queen, 'Quoth he', if someone loves you, do you blame me, | ||
Measure my strangeness with my unripe years: 524 | Measure my strangeness with my immature years: 524 | ||
Before I know myself, seek not to know me; | Before I know myself, try not to know me. | ||
No fisher but the ungrown fry forbears: | Not a fisherman, but the unintentional roast has broken off: | ||
The mellow plum doth fall, the green sticks fast, | The mild plum falls, the green sticks quickly, quickly, quickly, | ||
Or being early pluck'd is sour to taste. 528 | Or can taste early. 528 | ||
Look! the world's comforter, with weary gait | Looks! The duvet of the world with tired gang | ||
His day's hot task hath ended in the west; | The hot task of his day ended in the west; | ||
The owl, night's herald, shrieks, 'tis very late; | The owl, night, screeches, it's very late; | ||
The sheep are gone to fold, birds to their nest, 532 | The sheep went to fold, birds to their nest, 532 | ||
And coal-black clouds that shadow heaven's light | And carbon contested that shadows the light of the sky | ||
Do summon us to part, and bid good night. | Summon us to separate and offer a good night. | ||
Now let me say good night, and so say you; | Let me say a good night now and so say it; | ||
If you will say so, you shall have a kiss.' 536 | If you say this, you will have a kiss. '536 | ||
Good night,' quoth she; and ere he says adieu, | Good night, «quoth her; and um he says carefully, | ||
The honey fee of parting tender'd is: | The honey fee of the farewell offer is: | ||
Her arms do lend his neck a sweet embrace; | Her arms borrow a sweet hug to his neck; | ||
Incorporate then they seem, face grows to face. 540 | Then integrate, then they seem to grow, the face grows. 540 | ||
Till, breathless, he disjoin'd, and backward drew | Until, breathless, he closed and pulled backwards and pulled | ||
The heavenly moisture, that sweet coral mouth, | The heavenly moisture, this sweet coral mouth, | ||
Whose precious taste her thirsty lips well knew, | Their precious tastes of their thirsty lips well, | ||
Whereon they surfeit, yet complain on drouth: 544 | However, they are exaggerated and complain to Drouth: 544 | ||
He with her plenty press'd, she faint with dearth, | He with her big press, she was weak with deficiency, | ||
Their lips together glu'd, fall to the earth. | Her lips fell onto the earth. | ||
Now quick desire hath caught the yielding prey, | Now the flexible prey has caught faster, | ||
And glutton-like she feeds, yet never filleth; 548 | And but never fills like she feeds; 548 | ||
Her lips are conquerors, his lips obey, | Her lips are conquerors, obey his lips, | ||
Paying what ransom the insulter willeth; | Pay what the insult fulfills; | ||
Whose vulture thought doth pitch the price so high, | Whose vulture thought that the price increased so high, | ||
That she will draw his lips' rich treasure dry. 552 | That she will dry the rich treasure of his lips. 552 | ||
And having felt the sweetness of the spoil, | And the sweetness of the prey felt | ||
With blindfold fury she begins to forage; | She begins to look for with Blindfold Fury; | ||
Her face doth reek and smoke, her blood doth boil, | Your face bumps and smokes, you cook, cook, cook, | ||
And careless lust stirs up a desperate courage; 556 | And careless lust causes desperate courage; 556 | ||
Planting oblivion, beating reason back, | Planting Oblivion, base back, back, | ||
Forgetting shame's pure blush and honour's wrack. | Scham's pure blush and honorary man from shame. | ||
Hot, faint, and weary, with her hard embracing, | Hot, weak and tired, with her hard hug, | ||
Like a wild bird being tam'd with too much handling, | How a wild bird is tamed with too much handling, | ||
Or as the fleet-foot roe that's tir'd with chasing, 561 | Or like the fleet foot rogen, which is chased with hunting, 561 | ||
Or like the froward infant still'd with dandling, | Or like the Froward -Sugling, which was still with the dand, | ||
He now obeys, and now no more resisteth, | He obeys now and no longer resist | ||
While she takes all she can, not all she listeth. 564 | While she takes everything she can, not everything she lists. 564 | ||
What wax so frozen but dissolves with tempering, | Which wax is so frozen, but dissolved with temperature, | ||
And yields at last to every light impression? | And finally caused every light impression? | ||
Things out of hope are compass'd oft with venturing, | Things outside of hope are often summarized with the waging, | ||
Chiefly in love, whose leave exceeds commission: 568 | Mainly in love, whose vacation exceeds the commission: 568 | ||
Affection faints not like a pale-fac'd coward, | Affection not passed out like a bright coward, coward, | ||
But then woos best when most his choice is froward. | But then the best thing to do when most of his choice are Froward. | ||
When he did frown, O! had she then gave over, | When he frowned, o! Then she handed over | ||
Such nectar from his lips she had not suck'd. 572 | Such a nectar of his lips that she hadn't sucked. 572 | ||
Foul words and frowns must not repel a lover; | Four words and frowns must not ward off a lover; | ||
What though the rose have prickles, yet 'tis pluck'd: | Which, even though the rose have spines, plucked ties: | ||
Were beauty under twenty locks kept fast, | Were kept quickly under twenty locks, | ||
Yet love breaks through and picks them all at last. | But love breaks through and finally takes it out. | ||
For pity now she can no more detain him; 577 | For pity she can no longer capture him; 577 | ||
The poor fool prays her that he may depart: | The poor fool prays her that he can leave: | ||
She is resolv'd no longer to restrain him, | She should no longer hold him back to hold him back, | ||
Bids him farewell, and look well to her heart, 580 | Offers him goodbye and look at your heart, 580 | ||
The which, by Cupid's bow she doth protest, | What she protests through Cupid's sheet protests, she protests, | ||
He carries thence incaged in his breast. | He wears from there in his chest. | ||
Sweet boy,' she says, 'this night I'll waste in sorrow, | Sweet boy, "she says," I will waste this night in mourning, | ||
For my sick heart commands mine eyes to watch. 584 | Because my sick heart commands my eyes to watch. 584 | ||
Tell me, Love's master, shall we meet to-morrow | Tell me, the master of love, we should meet tomorrow | ||
Say, shall we? shall we? wilt thou make the match?' | Do you say, should we? should we? Do you want to do the match? ' | ||
He tells her, no; to-morrow he intends | He tells her, no; Tomorrow he intends | ||
To hunt the boar with certain of his friends. 588 | Chase the boar with certain of his friends. 588 | ||
The boar!' quoth she; whereat a sudden pale, | The boar! 'Quoth you; Wohat suddenly pale, | ||
Like lawn being spread upon the blushing rose, | How lawns are spread to the blushing rose, | ||
Usurps her cheeks, she trembles at his tale, | Usurps her cheeks, she trembles in his history, | ||
And on his neck her yoking arms she throws: 592 | And on his neck she throws her yoke arms: 592 | ||
She sinketh down, still hanging by his neck, | She sinks down and still hangs on his neck. | ||
He on her belly falls, she on her back. | He falls on her stomach, she on his back. | ||
Now is she in the very lists of love, | Now she is in the lists of love | ||
Her champion mounted for the hot encounter: 596 | Her champion assembled for the hot encounter: 596 | ||
All is imaginary she doth prove, | Everything is imaginary that she proves | ||
He will not manage her, although he mount her; | He won't make her even though he rises her; | ||
That worse than Tantalus' is her annoy, | The worse than tantalus is her trouble. | ||
To clip Elysium and to lack her joy. 600 | To clamp Elysium and to lack their joy. 600 | ||
Even as poor birds, deceiv'd with painted grapes, | Also as poor birds, deceived with painted grapes, | ||
Do surfeit by the eye and pine the maw, | Surf through the eye and pine the mass, | ||
Even so she languisheth in her mishaps, | Nevertheless, she pouts in her breakdown | ||
As those poor birds that helpless berries saw. 604 | Like these poor birds, who saw helpless berries. 604 | ||
The warm effects which she in him finds missing, | The warm effects she finds in him misses, | ||
She seeks to kindle with continual kissing. | She tries to ignite with constant kissing. | ||
But all in vain, good queen, it will not be: | But for nothing, good queen, it won't be: | ||
She hath assay'd as much as may be prov'd; 608 | She examined as much as 608 | ||
Her pleading hath deserv'd a greater fee; | Your plea deserves a larger fee; | ||
She's Love, she loves, and yet she is not lov'd. | She is love, she loves and yet she is not loved. | ||
Fie, fie!' he says, 'you crush me; let me go; | Fie, fie! 'He says: "You crush me; Let me go; | ||
You have no reason to withhold me so.' 612 | You have no reason to hold back like this. '612 | ||
Thou hadst been gone,' quoth she, 'sweet boy, ere this, | You were gone, 'quoth her', sweet boy before that, | ||
But that thou told'st me thou wouldst hunt the boar. | But that you said you would hunt the pig. | ||
O! be advis'd; thou know'st not what it is | Ö! Be advis'd; You don't know what it is | ||
With javelin's point a churlish swine to gore, 616 | Spee there's Poty Poty it waay huy swee Toce, 61 | ||
Whose tushes never sheath'd he whetteth still, | Whose tüsches never still, whetteth, still, | ||
Like to a mortal butcher, bent to kill. | As with a mortal butcher, killed bent. | ||
On his bow-back he hath a battle set | He has a battle rate on his back | ||
Of bristly pikes, that ever threat his foes; 620 | Of bristly handles that always mean his enemies; 620 | ||
His eyes like glow-worms shine when he doth fret; | His eyes shine like fireforms when he is annoyed; | ||
His snout digs sepulchres where'er he goes; | His snout digs sepulchres where he goes; | ||
Being mov'd, he strikes whate'er is in his way, | To be moved, he strikes that he is in his way, | ||
And whom he strikes his crooked tushes slay. 624 | And who he beats his crooked Tushes killings. 624 | ||
His brawny sides, with hairy bristles arm'd, | His muscles | ||
Are better proof than thy spear's point can enter; | Are better evidence than the spear point can occur; | ||
His short thick neck cannot be easily harm'd; | His short thick neck cannot be easily damaged; | ||
Being ireful, on the lion he will venture: 628 | Be irful, on the lion he will dare: 628 | ||
The thorny brambles and embracing bushes, | The thorny blackberry and hug, | ||
As fearful of him, part, through whom he rushes. | As afraid of him, part he hurts. | ||
Alas! he nought esteems that face of thine, | Oh! He does not give your face from yours, | ||
To which Love's eyes pay tributary gazes; 632 | To what eyes the eyes of love co -leaves pay; 632 | ||
Nor thy soft hands, sweet lips, and crystal eyne, | Still your soft hands, sweet lips and crystallyne, | ||
Whose full perfection all the world amazes; | Whose full perfection surprises the whole world; | ||
But having thee at vantage, wondrous dread! | But with you, miraculous fear! | ||
Would root these beauties as he roots the mead. | Would root these beauties as he rooted the mead. | ||
O! let him keep his loathsome cabin still; 637 | Ö! Let him still keep his hideous cabin; 637 | ||
Beauty hath nought to do with such foul fiends: | The beauty has nothing to do with such evils: | ||
Come not within his danger by thy will; | Do not come through your will in his danger; | ||
They that thrive well take counsel of their friends. | Those who thrive well accept their friends well. | ||
When thou didst name the boar, not to dissemble, | If you have called the boar so as not to refuse | ||
I fear'd thy fortune, and my joints did tremble. | I'm afraid, your happiness, and my joints trembled. | ||
Didst thou not mark my face? was it not white? | Didn't you mark my face? Wasn't it white? | ||
Saw'st thou not signs of fear lurk in mine eye? 644 | Have you seen that you don't have any signs of fear in my eye? 644 | ||
Grew I not faint? And fell I not downright? | I am not fainting? And didn't I fell? | ||
Within my bosom, whereon thou dost lie, | In my breast where you are lying | ||
My boding heart pants, beats, and takes no rest, | My body's heart pants, strikes and does not rest, | ||
But, like an earthquake, shakes thee on my breast. | But like an earthquake shakes you on my chest. | ||
For where Love reigns, disturbing Jealousy 649 | Because where love prevails, jealousy is bothered by 649 | ||
Doth call himself Affection's sentinel; | Is called the Sentinel of affection; | ||
Gives false alarms, suggesteth mutiny, | If there are false alarms, the mutiny suggests, | ||
And in a peaceful hour doth cry "Kill, kill!" 652 | And in a peaceful hour "killing, killing!" 652 | ||
Distempering gentle Love in his desire, | Wisperation gentle love in his wish, | ||
As air and water do abate the fire. | When air and water dismantle the fire. | ||
This sour informer, this bate-breeding spy, | This acidic informant, this bate-breeding spy, | ||
This canker that eats up Love's tender spring, 656 | This cancer who eats the delicate spring of Love, 656, | ||
This carry-tale, dissentious Jealousy, | This carry-valley, female jealousy, | ||
That sometime true news, sometime false doth bring, | That at some point true news, at some point wrong, bring, | ||
Knocks at my heart, and whispers in mine ear | Knocks my heart and whispers into my ear | ||
That if I love thee, I thy death should fear: 660 | This, if I love you, should fear your death: 660 | ||
And more than so, presenteth to mine eye | And more than so, presents to my eye | ||
The picture of an angry-chafing boar, | The image of an angry Ebern, | ||
Under whose sharp fangs on his back doth lie | Lie under his sharp fangs on his back | ||
An image like thyself, all stain'd with gore; 664 | A picture like yourself, everything stained with gore; 664 | ||
Whose blood upon the fresh flowers being shed | Whose blood can be shed on the fresh flowers | ||
Doth make them droop with grief and hang the head. | They let them cope with grief and head. | ||
What should I do, seeing thee so indeed, | What should I do to see you in such a way that | ||
That tremble at the imagination? 668 | The tremor with the imagination? 668 | ||
The thought of it doth make my faint heart bleed, | The thought of it lets my weak heart bleed, | ||
And fear doth teach it divination: | And fear teaches fortune telling: | ||
I prophesy thy death, my living sorrow, | I predicted your death, my lively grief, | ||
If thou encounter with the boar to-morrow. 672 | If you meet the boar tomorrow. 672 | ||
But if thou needs wilt hunt, be rul'd by me; | But if you need Wilt Hunt, it was regulated by me; | ||
Uncouple at the timorous flying hare, | Abkopplung am Timous Flying Hase, | ||
Or at the fox which lives by subtilty, | Or on the fox that lives from subtle, | ||
Or at the roe which no encounter dare: 676 | Or on the roe, which does not dare to meet: 676 | ||
Pursue these fearful creatures o'er the downs, | Follow these anxious creatures over the depths, | ||
And on thy well-breath'd horse keep with thy hound. | And keep your dog on your well -worn horse. | ||
And when thou hast on foot the purblind hare, | And if you have rabbits on foot, | ||
Mark the poor wretch, to overshoot his troubles 680 | Mark the poor misery to overflow its problems 680 | ||
How he outruns the winds, and with what care | How he follows the wind and with what care | ||
He cranks and crosses with a thousand doubles: | He turns and crosses with a thousand doubles: | ||
The many musits through the which he goes | The many music he goes | ||
Are like a labyrinth to amaze his foes. 684 | Are like a labyrinth to surprise his enemies. 684 | ||
Sometime he runs among a flock of sheep, | At some point he runs under a flock of sheep | ||
To make the cunning hounds mistake their smell, | So that the cunning dogs can confuse their smell, | ||
And sometime where earth-delving conies keep, | And at some point where the earth's herbs keep, | ||
To stop the loud pursuers in their yell, 688 | The loud pursuers in their screams, 688 | ||
And sometime sorteth with a herd of deer; | And at some point sorted with a stiff focly; | ||
Danger deviseth shifts, wit waits on fear: | Danger Deviseth shifts, joke is waiting for fear: | ||
For there his smell with others being mingled, 691 | Because his smell with others who mixed, 691 | ||
The hot scent-snuffing hounds are driven to doubt, | The hot fragrance nuffing dogs will doubt to doubt, | ||
Ceasing their clamorous cry till they have singled | Listen to your lying scream until you have bounded | ||
With much ado the cold fault cleanly out; | With a lot of gluing the cold fault out; | ||
Then do they spend their mouths: Echo replies, | Then spend your mouth out: Echo answers, | ||
As if another chase were in the skies. 696 | As if there was another chase in heaven. 696 | ||
By this, poor Wat, far off upon a hill, | Then poor water, far away on a hill, | ||
Stands on his hinder legs with listening ear, | Stands on his hind legs with hearing pipe, | ||
To hearken if his foes pursue him still: | To hear when his enemies still follow him: | ||
Anon their loud alarums he doth hear; 700 | Anon her loud alars that he does not hear; 700 | ||
And now his grief may be compared well | And now his grief can be compared well | ||
To one sore sick that hears the passing bell. | To a sore sick who hears the passing bell. | ||
Then shalt thou see the dew-bedabbled wretch | Then you should see the deaf bed end | ||
Turn, and return, indenting with the way; 704 | Turning and returning, including with the path; 704 | ||
Each envious briar his weary legs doth scratch, | Every jealous briar scratches his tired legs, | ||
Each shadow makes him stop, each murmur stay: | Every shadow lets him stop, everyone stays: | ||
For misery is trodden on by many, | Because misery is continued by many | ||
And being low never reliev'd by any. 708 | And being low, never relied by anyone. 708 | ||
Lie quietly, and hear a little more; | Lies quietly and listen to a little more; | ||
Nay, do not struggle, for thou shalt not rise: | No, don't fight because you shouldn't rise: | ||
To make thee hate the hunting of the boar, | So that the hunt of the Ebers lets you hate, | ||
Unlike myself thou hear'st me moralize, 712 | In contrast to me, you hear me moralized, 712 | ||
Applying this to that, and so to so; | Apply this and so on it; | ||
For love can comment upon every woe. | Because love can comment on any suffering. | ||
Where did I leave?' 'No matter where,' quoth he | Where did I go? '"No matter where," he quoth | ||
Leave me, and then the story aptly ends: 716 | Let me and then the story ends aptly: 716 | ||
The night is spent,' 'Why, what of that?' quoth she. | The night is spent "why, what is it?" Quoth you. | ||
I am,' quoth he, 'expected of my friends; | I am 'Quoth he', expected from my friends; | ||
And now 'tis dark, and going I shall fall.' | And now 'it's dark and go I'll fall.' | ||
In night,' quoth she, 'desire sees best of all.' 720 | At night "Quoth you" sees the best of everything. "720 | ||
But if thou fall, O! then imagine this, | But if you fall, o! Then imagine that | ||
The earth, in love with thee, thy footing trips, | The earth, fall in love with you, your basic excursions, | ||
And all is but to rob thee of a kiss. 723 | And everything is just to rob yourself of a kiss. 723 | ||
Rich preys make true men thieves; so do thy lips | Rich civil servants make real men thieves; So make your lips | ||
Make modest Dian cloudy and forlorn, | Made modest dian -clouded and leave, | ||
Lest she should steal a kiss and die forsworn. | So that she shouldn't steal a kiss and die at previous. | ||
Now of this dark night I perceive the reason: | Now on this dark night I perceive the reason: | ||
Cynthia for shame obscures her silver shine 728 | Cynthia for shame hides her silver gloss 728 | ||
Till forging Nature be condemn'd of treason, | Be condemned to the forging of nature, from betrayal, | ||
For stealing moulds from heaven that were divine; | To steal shapes from heaven that were divine; | ||
Wherein she fram'd thee in high heaven's despite, | Although she attached you in the high sky despite the sky, | ||
To shame the sun by day and her by night. 732 | The sun at day and to shake it at night. 732 | ||
And therefore hath she brib'd the Destinies, | And that's why she buried fate | ||
To cross the curious workmanship of nature | To exceed the strange processing of nature | ||
To mingle beauty with infirmities, | Mix beauty with a cross, | ||
And pure perfection with impure defeature; 736 | And pure perfection with impure defeat; 736 | ||
Making it subject to the tyranny | It is subject to tyranny | ||
Of mad mischances and much misery; | Of crazy attitudes and a lot of misery; | ||
As burning fevers, agues pale and faint, | Agues and weak, weak, weak, as a burning fever, | ||
Life-poisoning pestilence and frenzies wood, 740 | Life poisoning pestilence and Frenzies Wood, 740 | ||
The marrow-eating sickness, whose attains | The Marrow -eating disease, its achievements | ||
Disorder breeds by heating of the blood; | Disorder breeds by heating the blood; | ||
Surfeits, imposthumes, grief, and damn'd despair, | Surfet, imposthum, grief and damn desperate, | ||
Swear nature's death for framing thee so fair. 744 | Swear, the death of nature to make you so fair. 744 | ||
And not the least of all these maladies | And last but not least from all these diseases | ||
But in one minute's fight brings beauty under: | But in a minute the fight puts beauty under: | ||
Both favour, savour hue, and qualities, | Both reasons, enjoy Hue and qualities, | ||
Whereat the impartial gazer late did wonder, 748 | While the referee gazer was amazed at, 748 | ||
Are on the sudden wasted, thaw'd and done, | Are on the sudden wasted, thawed and done, | ||
As mountain-snow melts with the mid-day sun. | As a bergsnow melts with the midday sun. | ||
Therefore, despite of fruitless chastity, | Hence despite fruitless chastity, | ||
Love-lacking vestals and self-loving nuns, 752 | Love-Lacking Vestals and self-loving nuns, 752 | ||
That on the earth would breed a scarcity | That on earth would create a scarcity | ||
And barren dearth of daughters and of sons, | And sterile lack of daughters and sons, | ||
Be prodigal: the lamp that burns by night | Be lost: the lamp that burns at night | ||
Dries up his oil to lend the world his light. 756 | Dry out its oil to borrow its light to the world. 756 | ||
What is thy body but a swallowing grave, | What is your body, but a swallowing grave, | ||
Seeming to bury that posterity | Seem to bury these posterity | ||
Which by the rights of time thou needs must have, | Which ones do you have to have according to the time rights | ||
If thou destroy them not in dark obscurity? 760 | If you don't destroy it in dark darkness? 760 | ||
If so, the world will hold thee in disdain, | If so, the world will keep you contempt | ||
Sith in thy pride so fair a hope is slain. | Sith in your pride so fair that hope is killed. | ||
So in thyself thyself art made away; | So moved away in your art art; | ||
A mischief worse than civil home-bred strife, 764 | A disaster worse than a civilian dispute, 764 | ||
Or theirs whose desperate hands themselves do slay, | Or their whose desperate hands kill themselves, | ||
Or butcher-sire that reeves his son of life. | Or butcher-sire, who rekinds his son of life. | ||
Foul-cankering rust the hidden treasure frets, | Foul closing rust the hidden treasure stages, | ||
But gold that's put to use more gold begets.' 768 | But gold that uses more gold testifies. '768 | ||
Nay then,' quoth Adon, 'you will fall again | No, then 'Quoth Adon', you will fall again | ||
Into your idle over-handled theme; | In her idle overarching topic; | ||
The kiss I gave you is bestow'd in vain, | The kiss I gave you in vain, | ||
And all in vain you strive against the stream; 772 | And everything strive against the current for nothing; 772 | ||
For by this black-fac'd night, desire's foul nurse, | Because through this black night, desire's foul nurse, | ||
Your treatise makes me like you worse and worse. | Your treatise makes me worse and worse. | ||
If love have lent you twenty thousand tongues, | When love has borrowed twenty thousand tongues, | ||
And every tongue more moving than your own, 776 | And every tongue that moves more than its own, 776 | ||
Bewitching like the wanton mermaid's songs, | Satisfactory as the songs of the Wanton Mermaid, | ||
Yet from mine ear the tempting tune is blown; | But the tempting melody is blown out of my ear; | ||
For know, my heart stands armed in mine ear, | To know my heart is armed in my ear | ||
And will not let a false sound enter there; 780 | And does not let false sound occur there; 780 | ||
Lest the deceiving harmony should run | So that the deceptive harmony should not run | ||
Into the quiet closure of my breast; | In the quiet end of my chest; | ||
And then my little heart were quite undone, | And then my little heart was pretty undone | ||
In his bedchamber to be barr'd of rest. 784 | In his sleeping pine to make himself out of rest. 784 | ||
No, lady, no; my heart longs not to groan, | No, lady, no; My heart doesn't long for groaning | ||
But soundly sleeps, while now it sleeps alone. | But solidly sleeps while it is now sleeping alone. | ||
What have you urg'd that I cannot reprove? | What do you have to do that I can't blame? | ||
The path is smooth that leadeth on to danger; 790 | The path is smooth that leads to danger; 790 | ||
I hate not love, but your device in love | I don't hate love, but your device in love | ||
That lends embracements unto every stranger. | This gives every foreign commitment. | ||
You do it for increase: O strange excuse! | You do it to increase: o strange apology! | ||
When reason is the bawd to lust's abuse. 792 | If the BAWD is due to abuse of lust. 792 | ||
Call it not, love, for Love to heaven is fled, | Don't call it, love, for the love of heaven has fled, has fled, | ||
Since sweating Lust on earth usurp'd his name; | Since sweating the desire for earth, its name users; | ||
Under whose simple semblance he hath fed | Under his simple appearance he fed | ||
Upon fresh beauty, blotting it with blame; 796 | After fresh beauty to blame it; 796 | ||
Which the hot tyrant stains and soon bereaves, | What the hot tyrant stains and soon swads, | ||
As caterpillars do the tender leaves. | Like caterpillars, the delicate leaves make. | ||
Love comforteth like sunshine after rain, | Love consoles rain like sunshine, | ||
But Lust's effect is tempest after sun; 800 | But lusts effect is storm after the sun; 800 | ||
Love's gentle spring doth always fresh remain, | The gentle spring of love is always fresh, | ||
Lust's winter comes ere summer half be done. | Lusts winter comes before the summer half is done. | ||
Love surfeits not, Lust like a glutton dies; | Love does not surf like a foller dies; | ||
Love is all truth, Lust full of forged lies. 804 | Love is all truth, pleasure full of forged lies. 804 | ||
More I could tell, but more I dare not say; | I could say more, but I don't dare to say more; | ||
The text is old, the orator too green. | The text is old, the speaker too green. | ||
Therefore, in sadness, now I will away; | Therefore I am getting away in sadness; | ||
My face is full of shame, my heart of teen: 808 | My face is full of shame, my heart of teen: 808 | ||
Mine ears, that to your wanton talk attended | My ears, present for your willful conversation | ||
Do burn themselves for having so offended.' | Burn because they are so offended. ' | ||
With this he breaketh from the sweet embrace 811 | He breaks down from the sweet hug 811 | ||
Of those fair arms which bound him to her breast, | Of these beautiful arms that bang him on their chest, | ||
And homeward through the dark laund runs apace; | And apace runs home through the dark laundry; | ||
Leaves Love upon her back deeply distress'd. | The love on her back is deeply worrying. | ||
Look, how a bright star shooteth from the sky | Look as a light star shoots from the sky | ||
So glides he in the night from Venus' eye; 816 | So he slides from Venus' eye on the night; 816 | ||
Which after him she darts, as one on shore | What gives way after him, like one on the bank | ||
Gazing upon a late-embarked friend, | Look at a late sensitive friend, | ||
Till the wild waves will have him seen no more, | Until the wild waves didn't see him anymore | ||
Whose ridges with the meeting clouds contend: 820 | Whose burrs with the meeting clouds claim: 820 | ||
So did the merciless and pitchy night | So also the merciless and pitchy night | ||
Fold in the object that did feed her sight. | Fold the object that fed your eyesight. | ||
Whereat amaz'd, as one that unaware | Wohat Amazing as one who is not aware of | ||
Hath dropp'd a precious jewel in the flood, 824 | Has a precious jewel in the flood, 824, 824 | ||
Or 'stonish'd as night-wanderers often are, | Or "are often stally as night hikers, | ||
Their light blown out in some mistrustful wood; | Its light blow in a suspicious wood; | ||
Even so confounded in the dark she lay, | Nevertheless, she confuses in the dark that she lay | ||
Having lost the fair discovery of her way. 828 | The fair discovery of their path lost. 828 | ||
And now she beats her heart, whereat it groans, | And now she beats her heart where it groanes | ||
That all the neighbour caves, as seeming troubled, | That all neighbors caves, to be worried, | ||
Make verbal repetition of her moans; | Make verbal repetition of your moan; | ||
Passion on passion deeply is redoubled: 832 | Passion for passion deeply doubled: 832 | ||
Ay me!' she cries, and twenty times, 'Woe, woe!' | Ay me! ' She cries and twenty times 'hurt, hurt!' | ||
And twenty echoes twenty times cry so. | And twenty echoes twenty times. | ||
She marking them, begins a wailing note, | She marks it, begins a howling note, | ||
And sings extemporally a woeful ditty; 836 | And sings relentlessly a sad ditty; 836 | ||
How love makes young men thrall and old men dote; | How dear young men gets to clever and old men; | ||
How love is wise in folly foolish-witty: | How love is stupid in folly: | ||
Her heavy anthem still concludes in woe, | Her heavy hymn still ends in pain | ||
And still the choir of echoes answer so. 840 | And still the choir of the Echos replies. 840 | ||
Her song was tedious, and outwore the night, | Her song was boring and left the night. | ||
For lovers' hours are long, though seeming short: | For the hours of lovers, the hours are long, although it seems short: | ||
If pleas'd themselves, others, they think, delight | If you think yourself, others, are enjoying | ||
In such like circumstance, with such like sport: 844 | Under similar circumstances, like sports: 844 | ||
Their copious stories, oftentimes begun, | Their abundant stories often started | ||
End without audience, and are never done. | End without audience and are never finished. | ||
For who hath she to spend the night withal, | For who she has the night with | ||
But idle sounds resembling parasites; 848 | But idle noises that resemble parasites; 848 | ||
Like shrill-tongu'd tapsters answering every call, | Like shrill -tag tapsters who answer every call, | ||
Soothing the humour of fantastic wits? | Do you calm down the humor of fantastic mind? | ||
She says, ''Tis so:' they answer all, ''Tis so;' | She says: "It:" You all answer "," it is so; " | ||
And would say after her, if she said 'No'. 852 | And would tell her after her if she said 'No'. 852 | ||
Lo! here the gentle lark, weary of rest, | Lo! Here is the gentle lark, tired of calm, | ||
From his moist cabinet mounts up on high, | From his damp closet, high, up, high, | ||
And wakes the morning, from whose silver breast | And wakes up in the morning, whose silver chest | ||
The sun ariseth in his majesty; 856 | The sun applies in its majesty; 856 | ||
Who doth the world so gloriously behold, | Whoever sees the world so wonderful looks at | ||
That cedar-tops and hills seem burnish'd gold. | That cedar and hill appear golden fuss. | ||
Venus salutes him with this fair good morrow: | Venus welcomes him with this fair good Morrow: | ||
O thou clear god, and patron of all light, 860 | O You delete God and patron of the entire light, 860 | ||
From whom each lamp and shining star doth borrow | From who borrow every lamp and every shiny star | ||
The beauteous influence that makes him bright, | The beautiful influence that makes him bright | ||
There lives a son that suck'd an earthly mother, | There is a son who sucked an earthly mother, | ||
May lend thee light, as thou dost lend to other' | Can borrow light on how you give it to others' | ||
This said, she hasteth to a myrtle grove, 865 | That means she has a Myrtle Grove, 865 | ||
Musing the morning is so much o'erworn, | Thinking the morning is so much unnecessary | ||
And yet she hears no tidings of her love; | And yet she doesn't hear any news of her love; | ||
She hearkens for his hounds and for his horn: 868 | She hears for his dogs and for his horn: 868 | ||
Anon she hears them chant it lustily, | Anon, she hears them lustfully, they sing, | ||
And all in haste she coasteth to the cry. | And all in a hurry, she fights for the cry. | ||
And as she runs, the bushes in the way | And while she runs, the bushes in the way | ||
Some catch her by the neck, some kiss her face, 872 | Some catch them on the neck, others kiss their face, 872 | ||
Some twine about her thigh to make her stay: | A few cord over her thigh so that she stays: | ||
She wildly breaketh from their strict embrace, | She breaks wildly out of her strict hug, | ||
Like a milch doe, whose swelling dugs do ache, | Like a milk doe, whose swelling pain, pain, | ||
Hasting to feed her fawn hid in some brake. 876 | Did you hide your fawn in a little brake. 876 | ||
By this she hears the hounds are at a bay; | In this way she hears the dogs in a bay; | ||
Whereat she starts, like one that spies an adder | Where does it start, like one who spies on an addierer | ||
Wreath'd up in fatal folds just in his way, | Get in fatal wrinkles, only in the way, | ||
The fear whereof doth make him shake and shudder; | The fear from which he shakes and shines; | ||
Even so the timorous yelping of the hounds 881 | Still the time calling of the Hounds 881 | ||
Appals her senses, and her spirit confounds. | Erleed her senses and her spirit confused. | ||
For now she knows it is no gentle chase, | At the moment she knows that it is not a gentle chase | ||
But the blunt boar, rough bear, or lion proud, 884 | But the blunt bear, the rough bear or the lion proud, 884 | ||
Because the cry remaineth in one place, | Because the cry remains in a place | ||
Wilere fearfully the dogs exclaim aloud: | The dogs call out more sophisticated: | ||
Finding their enemy to be so curst, | To find their enemy in order to be curst | ||
They all strain courtesy who shall cope him first. | They all burden them with friendly approval, which is supposed to handle him first. | ||
This dismal cry rings sadly in her ear, 889 | This gloomy cry rings sadly in her ear, 889 | ||
Througll which it enters to surprise her heart; | Througll, what it goes to surprise her heart; | ||
Who, overcome by doubt and bloodless fear, | Who, overwhelmed by doubts and bloodless fear, | ||
With cold-pale weakness numbs each feeling part; | With cold weakness deaf deaf every feeling; | ||
Like soldiers, when their captain once doth yield, | How soldiers, if your captain can reveal, | ||
They basely fly and dare not stay the field. | They fly BAS and do not dare to stay the field. | ||
Thus stands she in a trembling ecstasy, | So she stands in a trembling ecstasy | ||
Till, cheering up her senses sore dismay'd, 896 | Until, cheering on their senses, it hurt to disappoint 896, 896 | ||
She tells them 'tis a causeless fantasy, | She tells you a causal imagination | ||
And childish error, that they are afraid; | And childlike mistake that you are afraid; | ||
Bids them leave quaking, bids them fear no more: | Offers them, let the break, they no longer feared: | ||
And with that word she spied the hunted boar; | And with this word she spied on the hunted boar; | ||
Whose frothy mouth bepainted all with red, 901 | Whose foamy mouth everything with red, 901 | ||
Like milk and blood being mingled both together, | How milk and blood mix together, both together, | ||
A second fear through all her sinews spread, | A second fear of all of her tendons spread, | ||
Which madly hurries her she knows not whither: 904 | What hurries her insanely, she doesn't know where: 904 | ||
This way she runs, and now she will no further, | In this way she runs, and now she won't get any further. | ||
But back retires to rate the boar for murther. | But back withdraws to evaluate the boar for the middle. | ||
A thousand spleens bear her a thousand ways, | They wear a thousand species a thousand spleen, | ||
She treads the path that she untreads again; 908 | She steps on the way that she picks up again; 908 | ||
Her more than haste is mated with delays, | Your more than hurry is paired with delays, | ||
Like the proceedings of a drunken brain, | Like the process of a drunk brain, | ||
Full of respects, yet nought at all respecting, | Full of respect, but not respected at all, | ||
In hand with all things, nought at all effecting. | In hand with all things, nothing effective at all. | ||
Here kennel'd in a brake she finds a hound, 913 | Here she finds a dog in a brake, 913 | ||
And asks the weary caitiff for his master, | And asks the tired Caitiff for his master, | ||
And there another licking of his wound, | And there another licks his wound, | ||
Gainst venom'd sores the only sovereign plaster; 916 | Profit poison profit, the only sovereign plaster; 916 | ||
And here she meets another sadly scowling, | And here she meets another, unfortunately creates, | ||
To whom she speaks, and he replies with howling. | Who she speaks for and he answers with howling. | ||
When he hath ceas'd his ill-resounding noise, | When he stopped his poorly gross sound, | ||
Another flap-mouth'd mourner, black and grim, 920 | Another flap-mouth murder, black and grim, 920 | ||
Against the welkin volleys out his voice; | Against the Wilkin Sea for his voice; | ||
Another and another answer him, | Another and another answers him | ||
Clapping their proud tails to the ground below, | Slap your proud cocks to the bottom, | ||
Shaking their scratch'd ears, bleeding as they go. | Shake your scratching ears and bleed as you go. | ||
Look, how the world's poor people are amaz'd 925 | See how the poor people in the world are 925 | ||
At apparitions, signs, and prodigies, | In the case of appearances, signs and child prodigies, | ||
Whereon with fearful eyes they long have gaz'd, | Although they have for a long time with anxious eyes, | ||
Infusing them with dreadful prophecies; 928 | Infuse them with terrible prophecies; 928 | ||
So she at these sad sighs draws up her breath, | So she puts on her breath in these sad sighs | ||
And, sighing it again, exclaims on Death. | And calls to sigh again after death. | ||
Hard-favour'd tyrant, ugly, meagre, lean, 931 | HardfaArtes tyrant, ugly, lean, slim, 931 | ||
Hateful divorce of love,'--thus chides she Death,-- | Hasser-filled divorce of love, '-S- she blames death,- | ||
Grim-grinning ghost, earth's worm, what dost thou mean | Grim spirit, the worm of the earth what you mean | ||
To stifle beauty and to steal his breath, | To suffocate beauty and steal your breath, | ||
Who when he liv'd, his breath and beauty set | Who, when he lived, set his breath and beauty | ||
Gloss on the rose, smell to the violet? 936 | Slow on the rose, smell of violet? 936 | ||
If he be dead, O no! it cannot be, | If he is dead, o no! It can not be, | ||
Seeing his beauty, thou shouldst strike at it; | If you see his beauty, you should look up; | ||
O yes! it may; thou hast no eyes to see, | Oh yeah! it can; You have no eyes to see | ||
But hatefully at random dost thou hit. 940 | But has a random dost, you beat. 940 | ||
Thy mark is feeble age, but thy false dart | Your brand is weak age, but your wrong arrow | ||
Mistakes that aim and cleaves an infant's heart. | Errors that aim and split a child's heart. | ||
Hadst thou but bid beware, then he had spoke, | Did you have, but I had been careful, then he had spoken | ||
And, hearing him, thy power had lost his power. 944 | And heard him that your power had lost his power. 944 | ||
The Destinies will curse thee for this stroke; | The fates will curse you for this stroke; | ||
They bid thee crop a weed, thou pluck'st a flower. | They offer you a weed, you have put a flower. | ||
Love's golden arrow at him shoull have fled, | The golden arrow of love has fled him. | ||
And not Death's ebon dart, to strike him dead. 948 | And not the Ebon dart of death to kill him. 948 | ||
Dost thou drink tears, that thou provok'st such weeping? | Dost you drink tears that you cry like this? | ||
What may a heavy groan advantage thee? | What can a heavy groan have an advantage? | ||
Why hast thou cast into eternal sleeping | Why did you pour in eternal sleeping? | ||
Those eyes that taught all other eyes to see? 952 | To see these eyes that taught all other eyes? 952 | ||
Now Nature cares not for thy mortal vigour | Now nature does not take care of your mortal strength | ||
Since her best work is ruin'd with thy rigour.' | Because your best work is ruined with your strict. ' | ||
Here overcome, as one full of despair, | Overcome here as one full of despair, | ||
She vail'd her eyelids, who, like sluices, stopp'd 956 | She had her eyelids, who had stopped 956 like mucous 956 | ||
The crystal tide that from her two cheeks fair | The crystal flood, that of their two cheeks fair fair | ||
In the sweet channel of her bosom dropp'd | In the sweet channel of your breast | ||
But through the flood-gates breaks the silver rain, | But due to the Flutsta gates breaks the silver rain, | ||
And with his strong course opens them again. 960 | And with his strong course it opens again. 960 | ||
O! how her eyes and tears did lend and borrow; | Ö! Like their eyes and tears, borrowed and borrowed; | ||
Her eyes seen in the tears, tears in her eye; | Her eyes saw tears, tears in her eye; | ||
Both crystals, where they view'd each other's sorrow, | Both crystals where they look at each other's grief, | ||
Sorrow that friendly sighs sought still to dry; 964 | Grief that friendly sighs were still looking for drying; 964 | ||
But like a stormy day, now wind, now rain, | But like a stormy day, now wind, now rain, rain, rain, | ||
Sighs dry her cheeks, tears make them wet again. | Poor Milliscent | Sighing dry their cheeks, tears they get wet again. | |
Must pray and repent: | |||
Variable passions throng her constant woe, | Variable passions turn their constant hurt, | ||
As striving who should best become her grief; 968 | As a striving that should best become your grief; 968 | ||
All entertain'd, each passion labours so, | All entertain, every passion works like this, | ||
That every present sorrow seemeth chief, | That every current mourning boss can be seen, | ||
But none is best; then join they all together, | But none is best; Then they all join together | ||
Like many clouds consulting for foul weather. 972 | How many clouds advise for bad weather. 972 | ||
By this, far off she hears some huntsman holloa; | She hears far away, Huntsman Holloa; | ||
A nurse's song no'er pleas'd her babe so well: | The song of a nurse is so well delighted by your baby: | ||
The dire imagination she did follow | The bad imagination she followed | ||
This sound of hope doth labour to expel; 976 | This sound of hope has to spend the work; 976 | ||
For now reviving joy bids her rejoice, | At the moment the joy pretends to be happy | ||
And flatters her it is Adonis' voice. | And flatter that it is Adonis' voice. | ||
Whereat her tears began to turn their tide, | While their tears started to turn their tide, | ||
Being prison'd in her eye, like pearls in glass; 980 | To be a prison in her eye, like pearls in glass; 980 | ||
Yet sometimes falls an orient drop beside, | But sometimes an Orient drop falls next to it, | ||
Which her cheek melts, as scorning it should pass | Which melts her cheek, how it decreases, you should pass | ||
To wash the foul face of the sluttish ground, | Wash the bad face of the sluttic soil, | ||
Who is but drunken when she seemeth drown'd. | But who is drunk when it seems drowning. | ||
O hard-believing love! how strange it seems 985 | O Hart -believing love! How strange it seems 985 | ||
Not to believe, and yet too credulous; | Not to believe and yet too shiny; | ||
Thy weal and woe are both of them extremes; | Your weal and hurt are both extreme extremes; | ||
Despair and hope make thee ridiculous: 988 | Desperation and hope make you ridiculous: 988 | ||
The one doth flatter thee in thoughts unlikely, | The one is unlikely to flatter you in your thoughts, | ||
In likely thoughts the other kills thee quickly. | In probable thoughts, the other kills you quickly. | ||
Now she unweaves the web that she hath wrought, | Now she measures the web that she has decorated | ||
Adonis lives, and Death is not to blame; 992 | Adonis lives and death is not to blame; 992 | ||
It was not she that call'd him all to naught, | It was not her who had called him all to be nothing | ||
Now she adds honours to his hateful name; | Now she adds to his hateful name; | ||
She clepes him king of graves, and grave for kings, | She clamped him king of the graves and grave for kings. | ||
Imperious supreme of all mortal things. 996 | Imperious top of all mortals. 996 | ||
No, no,' quoth she, 'sweet Death, I did but jest; | No, no, 'quoth her', sweet death, I only joked; | ||
Yet pardon me, I felt a kind of fear | But forgive me, I felt a kind of fear | ||
Whenas I met the boar, that bloody beast, | When I met the boar, this bloody animal, | ||
Which knows no pity, but is still severe; 1000 | This does not know any pity, but is still serious; 1000 | ||
Then, gentle shadow,--truth I must confess-- | Then, gentle shadow, truth, I have to admit ... | ||
I rail'd on thee, fearing my love's decease. | I tied you to you and feared the death of my love. | ||
Tis not my fault: the boar provok'd my tongue; | It is not my fault: the boar provokes my tongue; | ||
Be wreak'd on him, invisible commander; 1004 | Arrange on him, invisible commander; 1004 | ||
Tis he, foul creature, that hath done thee wrong; | It is he, a bad creature that made you wrong; | ||
I did but act, he 's author of my slander: | I only acted, he is the author of my defamation: | ||
Grief hath two tongues: and never woman yet, | Grief has two tongues: and never wife, | ||
Could rule them both without ten women's wit.' | Could both rule without ten Frauenwitz. ' | ||
Thus hoping that Adonis is alive, 1009 | So hope that Adonis lives 1009 | ||
Her rash suspect sile doth extenuate; | Your decisive suspect, Sile, tedious; | ||
And that his beauty may the better thrive, | And that his beauty can thrive the better, | ||
With Death she humbly doth insinuate; 1012 | With death she interprets it humbly; 1012 | ||
Tells him of trophies, statues, tombs; and stories | Jesus daughter, Mary's child, | Tells him of trophies, statues, graves; and stories | |
His victories, his triumphs, and his glories. | Holy matron, woman mild, | His victories, his triumph and his glory. | |
For thee a mass shall still be said, | |||
O Jove!' quoth she, 'how much a fool was I, | Every sister drop a bead; | O jove! 'Quoth you, how much a fool I was, | |
To be of such a weak and silly mind 1016 | And those again succeeding them | Of such a weak and silly spirit to be 1016 | |
To wail his death who lives and must not die | For you shall sing a Requiem. | In order to cry his death, who lives and is not allowed to die | |
Till mutual overthrow of mortal kind; | To mutual fall of mortal kind; | ||
For he being dead, with him is beauty slain, | Because he is dead, beauty is killed with him, | ||
And, beauty dead, black chaos comes again. 1020 | And beauty dead, black chaos comes back. 1020 | ||
Fie, fie, fond love! thou art so full of fear | Fie, fie, loving love! You are so full of fear | ||
As one with treasure laden, hemm'd with thieves | As one with a treasure, celebrated with thieves | ||
Trifles, unwitnessed with eye or ear, | Little things, unnoticed with the eye or ear, | ||
Thy coward heart with false bethinking grieves.' 1024 | Your coward with false cheating grief. '1024 | ||
Even at this word she hears a merry horn | Even with this word she hears a happy horn | ||
Whereat she leaps that was but late forlorn. | As she jumped, it was only left late. | ||
As falcon to the lure, away she flies; | As falcon to the bait, she flies away; | ||
The grass stoops not, she treads on it so light; 1028 | The grass does not bend, it appears so easily; 1028 | ||
And in her haste unfortunately spies | And unfortunately spied in their hurry | ||
The foul boar's conquest on her fair delight; | The conquest of the foul pig about its fair joy; | ||
Which seen, her eyes, as murder'd with the view, | The person seen, her eyes, murdered with the view, | ||
Like stars asham'd of day, themselves withdrew: | Like stars Asham'd of Day, pulled back: | ||
May your happy soul be blithe, | |||
Or, as the snail, whose tender horns being hit, 1033 | That so truly pay your tithe: | Or like the snail, whose delicate horns are hit, 1033 | |
Shrinks backwards in his shelly cave with pain, | He who many children gave, | Shrinks with pain back in his Shelly cave, | |
And there, all smother'd up, in shade doth sit, | Tis fit that he one child should have. | And there everything suffocated in shade, sits, | |
Long after fearing to creep forth again; 1036 | Then, fair virgin, hear my spell, | Long after he feared to crawl out again; 1036 | |
So, at his bloody view, her eyes are fled | For I must your duty tell. | So her eyes have fled from his bloody view | |
Into the deep dark cabills of her head; | In the deep dark cabbills of her head; | ||
Where they resign their office and their light | Where you reset your office and your light | ||
To the disposing of her troubled brain; 1040 | To dispose of their restless brain; 1040 | ||
Who bids them still consort with ugly night, | Who still offered them together with ugly night, | ||
And never wound the heart with looks again; | First, a mornings take your book, | And never wounded the heart with a view of the heart; | |
Who, like a king perplexed in his throne, | The glass wherein your self must look; | Who, like a king, amazed on his throne, | |
By their suggestion gives a deadly groan, 1044 | Due to her proposal, a deadly moan gives 1044 | ||
Whereat each tributary subject quakes; | While every tributary image trembles; | ||
As when the wind, imprison'd in the ground, | As if the wind, locked up in the ground, | ||
Struggling for passage, earth's foundation shakes, | Fight for the passage, trembling the foundation of the earth, | ||
Which with cold terror doth men's minds confound. | What confuse the men's thoughts with cold terror. | ||
This mutiny each part doth so surprise 1049 | This mutiny every part is so surprising 1049 | ||
That from their dark beds once more leap her eyes; | The one from her dark beds jumps again with the eyes; | ||
And, being open'd, threw unwilling light | And to be open, threw unwilling light | ||
Upon the wide wound that the boar had trench'd | On the wide wound that the boar had had | ||
In his soft flank; whose wonted lily white 1053 | In its soft flank; Their lily white 1053 won | ||
With purple tears, that his wound wept, was drench'd: | With purple tears that his wound cried, soaked: | ||
No flower was nigh, no grass, herb, leaf, or weed | No flower was close, no grass, herbs, leaf or weeds | ||
But stole his blood and seem'd with him to bleed. | But steel his blood and seemed to bleed with him. | ||
You shall ring the sacring bell, | |||
This solemn sympathy poor Venus noteth, 1057 | Keep your hours, and tell your knell, | This solemn sympathy is bad Venus, 1057 | |
Over one shoulder doth she hang her head, | Rise at midnight at your matins, | She hangs her head over a shoulder | |
Dumbly she passions, franticly she doteth; | Read your Psalter, sing your latins, | Stupid passions, desperate them; | |
She thinks he could not die, he is not dead: 1060 | And when your blood shall kindle pleasure, | She thinks he couldn't die, he's not dead: 1060 | |
Her voice is stopp'd, her joints forget to bow, | Scourge your self in plenteous measure. | Her voice is stopped to forget her joints to bow, | |
Her eyes are mad that they have wept till now. | Your eyes are angry that you have cried so far. | ||
Upon his hurt she looks so steadfastly, | With his pain she looks so steadfast | ||
That her sight dazzling makes the wound seem three; | That she gives her wound three; | ||
And then she reprehends her mangling eye, 1065 | And then she combines her maus -glinging eye, 1065 | ||
That makes more gashes where no breach should be: | That makes more cut where there should be no violation: | ||
His face seems twain, each several limb is doubled; | His face seems two, every time it is doubled; | ||
For oft the eye mistakes, the brain being troubled. | The brain is worried for the eye errors. | ||
My tongue cannot express my grief for one, 1069 | My tongue cannot express my grief for you, 1069 | ||
And yet,' quoth she, 'behold two Adons dead! | And yet, "Quoth you", see two Adons Dead! | ||
My sighs are blown away, my salt tears gone, | My sighs are blown away, my salt tears disappeared, | ||
Mine eyes are turn'd to fire, my heart to lead: 1072 | My eyes are turned to fire to lead my heart: 1072 | ||
Heavy heart's lead, melt at mine eyes' red fire! | Lead heavy heart, melt on the red fire from Mine Eyes! | ||
So shall I die by drops of hot desire. | So I should die by drops hot. | ||
Alas! poor world, what treasure hast thou lost! | Oh! Poor world, what have you lost! | ||
What face remains alive that's worth the viewing? | Which face remains alive that the consideration is worth? | ||
Whose tongue is music now? what canst thou boast | Whose tongue is music now? What can you boast? | ||
Of things long since, or anything ensuing? 1078 | You must read the mornings mass, | From things for a long time or something that comes from it? 1078 | |
The flowers are sweet, their colours fresh and trim; | You must creep unto the Cross, | The flowers are cute, their colors fresh and trim; | |
But true-sweet beauty liv'd and died with him. | Put cold ashes on your head, | But truly sweet beauty lived and died with him. | |
Have a hair cloth for your bed. | |||
Bonnet nor veil henceforth no creature wear! 1081 | From now on, no creature wear the hood or veil! 1081 | ||
Nor sun nor wind will ever strive to kiss you: | The sun or wind will ever try to kiss you: | ||
Having no fair to lose, you need not fear; | If you don't have a fair to lose, you don't have to be afraid. | ||
The sun doth scorn you, and the wind doth hiss you: | The sun despises you and the wind hisses you: | ||
But when Adonis liv'd, sun and sharp air 1085 | But when Adonis lived, sun and sharp air 1085 | ||
Lurk'd like two thieves, to rob him of his fair: | Bid your beads, and tell your needs, | Lurked like two thieves to rob him of his mass: | |
Your holy Avies, and you Creeds; | |||
And therefore would he put his bonnet on, | Holy maid, this must be done, | And that's why he would put on his bonnet, | |
Under whose brim the gaudy sun would peep; 1088 | If you mean to live a Nun. | The bright sun would peer under his clamp; 1088 | |
The wind would blow it off, and, being gone, | The wind would blow it out and when it is gone | ||
Play with his locks: then would Adonis weep; | Play with his locks: then Adonis would cry; | ||
And straight, in pity of his tender years, | And especially in pity with his tender years, | ||
They both would strive who first should dry his tears. | They would both strive for who should dry their tears first. | ||
To see his face the lion walk'd along 1093 | His face to see how the lion went in 1093 | ||
Behind some hedge, because he would not fear him; | Behind a hedge because he would not fear it; | ||
To recreate himself when he hath sung, | Create again when he sang, | ||
The tiger would be tame and gently hear him; 1096 | The tiger would be tame and hear it gently; 1096 | ||
If he had spoke, the wolf would leave his prey, | If he had spoken, the wolf would leave his prey | ||
And never fright the silly lamb that day. | And never scare the stupid lamb that day. | ||
When he beheld his shadow in the brook, | When he saw his shadow in the stream, | ||
The fishes spread on it their golden gills; 1100 | The fish spread on their golden gills; 1100 | ||
When he was by, the birds such pleasure took, | When he was over, the birds took such a pleasure, | ||
That some would sing, some other in their bills | That some would sing, others in their bills | ||
Would bring him mulberries and ripe-red cherries | Would bring him mulberries and ripe red cherries | ||
He fed them with his sight, they him with berries. | He fed her with his eyes, with berries. | ||
But this foul, grim, and urchin-spouted boar, 1105 | But this foul, grim and Rögelschweiner, 1105 | ||
Whose downward eye still looketh for a grave, | Whose downward eye still looks like a grave, | ||
Ne'er saw the beauteous livery that he wore; | I saw the beautiful paint he was wearing; | ||
Witness the entertainment that he gave: 1108 | Witness of the entertainment he gave: 1108 | ||
If he did see his face, why then I know | When he saw his face, why do I know | ||
He thought to kiss him, and hath killed him so. | He thought he should kiss him and killed him. | ||
'Tis true, 'tis true; thus was Adonis slain: | "It is true", it is true; So Adonis was killed: | ||
He ran upon the boar with his sharp spear, 1112 | He ran to the boar with his sharp spear 1112 | ||
Who did not whet his teeth at him again, | Who didn't throw him back on him | ||
But by a kiss thought to persuade him there; | But through a kiss he thought to convince him there; | ||
And nuzzling in his flank, the loving swine | And cuddle in his flank, the loving pig | ||
Sheath'd unaware the tusk in his soft groin. 1116 | The vagina was not aware of the tusks in its soft bar. 1116 | ||
Had I been tooth'd like him, I must confess, | If I had been dented, I have to confess | ||
With kissing him I should have kill'd him first; | If I kissed him, I should have killed him first; | ||
But he is dead, and never did he bless | But he's dead and never blessed | ||
My youth with his; the more am I accurst.' 1120 | My youth with his; The more I am exactly. '1120 | ||
With this she falleth in the place she stood, | So she falls on the place where she stood | ||
And stains her face with his congealed blood. | And turns her face with his frozen blood. | ||
Sho looks upon his lips, and they are pale; | Sho looks at his lips and they are pale; | ||
She takes him by the hand, and that is cold; 1124 | She takes him by the hand and that's cold; 1124 | ||
She whispers in his ears a heavy tale, | In his ears she whispers a difficult story, | ||
As if they heard the woeful words she told; | As if they heard the sad words she told; | ||
She lifts the coffer-lids that close his eyes, | She lifts the suitcase eyelids that close his eyes. | ||
Where, lo! two lamps, burnt out, in darkness lies; | Where, see! Two lamps, burned out, lies in the dark; | ||
Two glasses where herself herself beheld 1129 | Two glasses in which they saw themselves in 1129 | ||
A thousand times, and now no more reflect; | A thousand times and no longer reflected; | ||
Their virtue lost, wherein they late excell'd, | Lost their virtue, they were awarded too late, | ||
And every beauty robb'd of his effect: 1132 | And every beauty that croaks of its effect: 1132 | ||
Wonder of time,' quoth she, 'this is my spite, | Miracle of the time, 'quoth her', that's mine, | ||
That, you being dead, the day should yet be light. | That, you are dead, the day should still be easy. | ||
Since thou art dead, lo! here I prophesy, | Since you have been dead, see! Here prophecy, | ||
Sorrow on love hereafter shall attend: 1136 | Low on Love Danas Homes will participate: 1136 | ||
It shall be waited on with jealousy, | It is waited with jealousy | ||
Find sweet beginning, but unsavoury end; | Find sweet beginning, but unsavory ending; | ||
Ne'er settled equally, but high or low; | I have not settled equally, but high or low; | ||
That all love's pleasure shall not match his woe. | The fact that everything is love will not match his suffering. | ||
It shall be fickle, false, and full of fraud, 1141 | It should be moody, wrong and full of fraud, 1141 | ||
Bud and be blasted in a breathing-while; | Knosppe and to be blown into breathing; | ||
The bottom poison, and the top o'erstraw'd | The lower poison and the upper o'erstraw'd | ||
With sweets that shall the truest sight beguile: 1144 | With sweets that the truest vision is: 1144 | ||
The strongest body shall it make most weak, | The strongest body should make it weak, | ||
Strike the wise dumb and teach the fool to speak. | Beat the wise stupid and teach the fool to speak. | ||
It shall be sparing and too full of riot, | It should be economical and too full of turmoil, | ||
Teaching decrepit age to tread the measures; 1148 | Leaned Abnerveit's age to take the measures; 1148 | ||
The staring ruffian shall it keep in quiet, | The rigid Ruffian should keep it calm | ||
Pluck down the rich, enrich the poor with treasures; | The rich pull down, enrich the poor with treasures; | ||
It shall be raging mad, and silly mild, | It should be crazy and stupid, | ||
Make the young old, the old become a child. 1152 | Make the young old man, the old one will be a child. 1152 | ||
It shall suspect where is no cause of fear; | It will assume where there is no cause of fear; | ||
It shall not fear where it should most mistrust; | It won't be afraid where it should be suspicious; | ||
It shall be merciful, and too severe, | It should be merciful and too heavy | ||
And most deceiving when it seems most just; 1156 | And most deceptively when it appears easiest; 1156 | ||
Perverse it shall be, where it shows most toward, | It must be perverse where it benefits the most, | ||
Put fear to velour, courage to the coward. | Set Velor fear, courage to the coward. | ||
It shall be cause of war and dire events, | It should be the cause of war and direct events | ||
And set dissension 'twixt the son and sire; 1160 | And set dung 'twixt, the son and the father; 1160 | ||
Subject and servile to all discontents, | Subject and servile for all dissatisfaction, | ||
As dry combustious matter is to fire: | As a dry burning matter, the fire is: | ||
Sith in his prime Death doth my love destroy, | Sith in his first death is destroyed by my love | ||
They that love best their love shall not enjoy.' 1164 | Those who will best love their love will not enjoy. '1164 | ||
By this, the boy that by her side lay kill'd | As a result, the boy who was killed at her side was | ||
Was melted like a vapour from her sight, | Was melted from her eyes like a steam, | ||
And in his blood that on the ground lay spill'd, | And in his blood that was buried on the ground, | ||
A purple flower sprung up, chequer'd with white; 1168 | A purple flower was created, checer with white; 1168 | ||
Resembling well his pale cheeks, and the blood | It resembles his pale cheeks and blood well | ||
Which in round drops upon their whiteness stood. | What stood on her white in round defeats. | ||
She bows her head, the new-sprung flower to smell, | She builds her head, the newly agonizing flower to smell, | ||
Comparing it to her Adonis' breath; 1172 | Compare it to the breath of your Adonis; 1172 | ||
And says within her bosom it shall dwell, | And says in your breast that it will live | ||
Since he himself is reft from her by death: | Since he is tracked by her himself: | ||
She drops the stalk, and in the breach appears | It drops the stem and appears in the violation | ||
Green dropping sap, which she compares to tears. | Green falling juice, which she compares with tears. | ||
Poor flower,' quoth she, 'this was thy father's guise, | Poor flower, 'Quoth you', that was your father's guise, | ||
Sweet issue of a more sweet-smelling sire, | Sweet problem of a sweet smelling father, sire, | ||
For every little grief to wet his eyes: | For every little grief, his eyes too wet: | ||
To grow unto himself was his desire, 1180 | His desire was to grow to itself, 1180 | ||
And so 'tis shine; but know, it is as good | And so it shines; But know it's so good | ||
To wither in my breast as in his blood. | In my chest like in his blood. | ||
Here was thy father's bed, here in my breast; | Here was your father's bed, here in my chest; | ||
Thou art the next of blood, and 'tis thy right: 1184 | You are the next blood and it is your right: 1184 | ||
Lo! in this hollow cradle take thy rest, | Lo! In this hollow cradle take your peace | ||
My throbbing heart shall rock thee day and night: | My throbbing heart will rock you day and night: | ||
There shall not be one minute in an hour | It won't be a minute in an hour | ||
Wherein I will not kiss my sweet love's flower.' | What will I not kiss the flower of my sweet love. ' | ||
Thus weary of the world, away she hies, 1189 | So tired of the world, away she said, 1189 | ||
And yokes her silver doves; by whose swift aid | Peace and charity within, | And Eckert their silver pigeons; With their quick help | |
Their mistress, mounted, through the empty skies | Never touch't with deadly sin; | Your loved one, assembled, through the empty sky | |
In her light chariot quickly is convey'd; 1192 | I cast my holy water pure | It is quickly conveyed in your light car; 1192 | |
Holding their course to Paphos, where their queen | On this wall and on this door, | Hold your course to Paphos where your queen | |
Means to immure herself and not be seen. | That from evil shall defend, | Means to overcome yourself and not to be seen. | |
And keep you from the ugly fiend: |
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